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Field Test: Shimoda Designs Large Core Unit for Explore Backpacks – Extending the Utility of My Favorite Backpack

12/6/2019

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PictureThis configuration may not look as pretty as the factory-installed version, but it was practical and served my needs. I refashioned the Shimoda large Core Unit so it could easily fit either zoom: the Tamron 100-400mm or 150-600 attached to my Nikon D500. Shown here: camera with 100-400, with room for an added lens (compared to the 150-600 configuration). ©2019 Jack Neubart. All rights reserved.
​When Shimoda originally sent me the Explore 30 for review, the pack arrived with a combination of the two smaller Core Units: the medium and small. Shimoda Core Units are interchangeable gear inserts, fully padded, entirely user-customizable, and of a proprietary design.
 
I was able to fit my Nikon D500 with attached Tamron 100-400mm zoom, a Nikon flash, and a few extras besides inside the medium DSLR Core Unit, which occupied the bulk of the pack’s interior. I also had room for extras that I tossed into the various pockets, including my large Nalgene water bottle in the outside water-bottle pocket (which tucks away when not needed). Since I couldn’t fit the small Core Unit in together with the medium insert, it remained at home, and was relegated to storing lenses for quick and easy access.
 
Enter the 150-600 Zoom
But there was one problem. I also own the Tamron 150-600mm G2 – which is a monster of a lens compared with the almost diminutive (by comparison) 100-400. On its own, the larger lens had no problem fitting in the medium insert – even with lens hood attached (in reversed position), with the camera body snuggled into its own module alongside it. (A “module” is simply a subdivision within the Core Unit, formed by the dividers and/or walls of the insert.)
 
However, I prefer keeping the lens attached to the body for ready access. Besides, you never know what dust and grit and even sand are kicked up when a wind gust kicks in – so I always feel it’s best to start my day on the right foot, as it were, with the lens fitted to the camera body from the outset. Granted, I do change lenses in the field, but I try to minimize these occurrences to when and where the situation allows or when absolutely necessary. But with my gear stowed in the medium insert, carrying and using the longer zoom would unquestionably require me to be a quick-change artist in the field. What to do?
 
After some hesitation, I again reached out to Shimoda, this time asking for the large DSLR Core Unit. After comparing measurements for the large Core Unit and long zoom, I felt assured this would be a good fit for my D500/150-600 combo.
 
Shimoda agreed to send the insert. With the large Core Unit in hand, it was now time to test my hypothesis… (See my earlier review – click here.)


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​Field Test: Tenba Roadie Backpack 20 – Built Tough for the Adventure Photographer

9/10/2019

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PictureThe Tenba Roadie Backpack 20 is designed to safely carry the gear you need for practically any wildlife excursion. Photo courtesy Tenba.
​Long ago, and seemingly in a galaxy far away (from where I now live, in Chicagoland), Bob Weinreb had set out to design a photo backpack that would be utilitarian and stand up to the rigors of adventure travel. That resulted in the Tenba backpack, one of a select few soft-sided photo luggage product lines that would hit dealer shelves back then.
 
I recall visiting Weinreb’s shop when it first opened in New York City and being impressed by him, the quality of his bags and his dedication. As a professional photographer, he was well aware of what pros needed – and he'd delivered.
 
It’s been awhile since I’d reviewed a Tenba backpack. So I thought a review was long overdue, and chose the Tenba Roadie Backpack 20. Unofficially, this is version 3.
 
How has my impression of the Tenba pack changed over the years, or, for that matter, did it change at all? Read on…


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​Field Test: Think Tank Photo Digital Holster 150 – Think Big

8/6/2019

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PictureDigital Holster 150, from Think Tank Photo - designed to hold an ultra-long lens attached to the camera for a quick grab. Photo courtesy Think Tank Photo.
Camera holsters are designed with one aim: to hold a DSLR with attached lens ready for a quick grab. The design concept makes sense – for a small outfit. But what about a camera with a humongous lens attached?
 
Let’s cut to the chase. The Digital Holster 150, from Think Tank Photo, is big for its ilk. This bag will carry a DSLR with 150-600mm zoom lens (or equivalent) attached. So how well does it serve that purpose? Read on...


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​Field Test: Shimoda Designs Explore 30 – My New Go-to Photo Backpack

7/28/2019

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PictureThe Explore 30 photo pack, from Shimoda Designs, is designed for practically any outdoor photo adventure. Photo courtesy Shimoda Designs.
I’ve worked with photo backpacks of every design imaginable, big and small, and always managed to find one thing or another that bothered me about the pack. Perhaps I’m nitpicking, but I like comfort, especially on a long, hot day, and I like a pack that fits my outdoor shooting style – whether that be on remote trails or in more familiar surroundings. Is that too much to ask? In particular, I like shoulder straps that don’t slide off the shoulder and to store gear so that it’s not only well-protected but also immediately visible and readily accessible. And I believe I found just that pack in the Shimoda Designs Explore 30.
 
Still, backpacks come and go in my photo arsenal. So let’s see how the Explore 30 measures up inside and out - and whether or not it has staying power for the long haul.


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​Field Test: MindShift Gear’s PhotoCross 15 Backpack – Lightweight and Fun to Use

5/15/2019

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PictureMindShift Gear's PhotoCross 15 Backpack. Courtesy Think Tank Photo.
​There’s no question that, when it comes to outdoor photography, whether close to home or far away, my go-to camera bag is a backpack. Which is why I welcomed the opportunity to field-test MindShift’s new entry in their PhotoCross lineup, the PhotoCross 15. So, did the PhotoCross 15 meet all my expectations? Will it become my go-to camera bag on outdoor adventures? And what features set it apart from the traditional sling or backpack? Let’s see…


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​Review: Think Tank Photo’s Vision 15 Shoulder Bag

4/26/2019

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PictureThink Tank Photo's Vision 15 shoulder bag. Courtesy Think Tank Photo.
​Photo backpacks aren’t for everyone or every occasion. Even hardened backpack users find themselves turning to a shoulder bag or sling bag to carry their precious camera gear. And if you’re looking for a modestly priced shoulder bag that also delivers on quality, then a good starting place is Think Tank Photo. And you might want to consider the new Vision series.


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Test Report: Think Tank Photo’s Retrospective 10 V2.0 Shoulder Bag – Same Chic Styling, Look and Feel, with Added Features

9/12/2018

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PictureCourtesy Think Tank Photo.
​There is something about Think Tank’s Retrospective shoulder bags that has to be experienced personally.
 
I’d previously tested the leather version of the original series and found it eminently suited to my trip to New York. (Read about it here.) But that was a small bag that I chose because it would fit inside my luggage.  And even before that I’d worked with the original Retrospective. Yet another small bag.
 
This time I thought I’d go for something bigger, but not quite as spacious as MindShift Gear’s Exposure 15. And I certainly wasn’t about to tote around an even bigger shoulder bag, although, if you are of that mind, there are two larger versions of this bag available.
 
I was especially curious to see what improvements were made to this series. I would not be disappointed, though I did find room for improvement.

What’s Old Is New Again
As the saying goes. And that easily applies here. The basic design of the Retrospective revolves around a soft, fabric outer shell with a stylish distressed look– specifically, cotton canvas that is water-repellant. The bag is lightweight, yet ruggedly constructed. And for those heavy downpours, it comes with a seam-sealed rain cover. The wide strap webbing encircles the bag, for a more assuring support (without having to deal with connectors), with the addition of a non-slip, shoulder pad.
 
After reading my review of that earlier Retrospective, it makes me wonder why I gave it away, but one only has room for so many bags. When a new one comes through the door, an older one goes out, which makes my friends happy campers, knowing they get a camera bag worthy of their expensive gear.
 
BTW – just heard from the recipient of that bag, who wrote, and I quote: “I liked your review and the bag as well.”
 
Since I no longer own the earlier versions, I have to go on memory and my review when comparing them. Aside from the obvious difference – size (and, to a certain extent, weight), the V2 version offers the same practical advantages, with a fully customizable interior (additional padded dividers included). And there are roomy pockets front and back, including an organizer pocket. The new version makes room for a full-size tablet as well (or a tiny MacBook).

Who Should Use the Retrospective 10 V2.0 ?
Travel photographers, street photographers, photojournalists and documentary/news photographers.
 
Capsule Comments
It’s stylish and practical, and designed to last. And reasonably priced. The new luggage handle pass-through is great when traveling with a wheeled suitcase.

How much is it?
Retrospective 10 V2.0 (tested): $169.75 
Retrospective 5 V2.0: $149.75 
Retrospective 7 V2.0: $ 164.75 
Retrospective 20 V2.0:  $179.75 
Retrospective 30 V2.0: $199.75

Where can I get more info/order this product? (Click link.)
Retrospective 10 V2.0

 
Manufacturer:
Think Tank Photo

The Handy Water Bottle Pocket
A water bottle pocket has been added. I would have preferred a stretch mesh pocket, but I can see Think Tank’s thinking behind the design they used. A nylon pocket would not be in keeping with the retro-canvas styling of the bag. Either way, it now means you don’t need to add an accessory pouch just for a water bottle. You can, however, add a lens case by way of the loop on the flip side of the bag (more on Think Tank’s new lens cases in a later review).
 
You could hold a lens in this side pocket, but I would hesitate to do so for any length of time. There’s no real way to secure the pocket, and a lens could slip out when you’re not paying attention. You know what would have been cool? A sealable lid, via Velcro, a zip, or even a snap or clasp. But, again, it could come in handy when changing lenses, if not already occupied by a water bottle. (Here’s a thought. Attach a carabiner to the opposite side and your water bottle to that, if the water bottle provides some means by which you could do that.)
 
The one thing that bugs me, and I found it to be somewhat of a nuisance on Think Tank's Signature 13 as well, is the tuck-away interior flap that has been added to the new Retrospective bag. As I’d commented previously, I would have preferred a double-zip system. But I’m not sure that would have helped. And here’s why… The pliable shell of the Retrospective, while imbuing the bag with that retro-chic feel, makes it difficult to close the flap.
 
I recommend either not zipping the inner lid all the way once you arrive at your destination, or not using it entirely. If you take the latter route, it means using the noisy and somewhat resistant Velcro system to keep the bag closed. There are noise-silencers built in, but using them (and not closing the inner flap) means you leave the bag entirely open – not a smart move in a crowded bus or subway, or while dashing around town, or putting your bag down on an uneven surface where it may topple over. So you’ll have to use one or the other once you start shooting. But let me make myself clear: Until  you arrive at your destination, unless you expect to stop along the way to shoot, use both means to keep the contents secured. You’ll keep dust and dirt out, as well as prying hands.
 
It may be picayune to quibble over this, and I’m sure you’ll get the hang of it, one way or the other. But, hey, I like to quibble over the small stuff. If the world smelled entirely of roses, we wouldn’t have carnations. Okay, not sure what that means, but maybe you do. Anyway, none of that matters in the long run. The bag does the job it’s designed to do.
​
Conclusions
Oddly enough, I find myself lately taking a shoulder/sling bag out, even on my nature walks, preferring it over my backpacks for immediate accessibility to my gear, provided I’m not toting a heavy load or very long lenses, and don’t need to carry a trail kit or light jacket.
 
Would I use this new Retrospective V2.0? In a heartbeat. Regrettably, I miscalculated. I thought I’d be able to fit my D500 with attached Tamron 100-400, but it didn’t prove to be a comfy fit. A deeper bag would have done the trick. So I’ll stick with my Exposure 15 for that rig. It wouldn’t be a problem if I carried body and lens separately, but I prefer having my gear at the ready – hence my rationale for using a shoulder bag in the first place.
 
All in all, as with its progenitors in the Retrospective lineup, the Retrospective V2.0 looks classy, feels classy, and, in short, is a class act. You’ll look good with this bag hanging off your shoulder or sling-style and you’ll feel good knowing your gear is well protected and within your grasp when the moment counts.
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Test Report: MindShift Gear Impresses Us with Two New Outdoor Bags - BackLight 18L Photo Backpack and Exposure 15 Shoulder/Sling Bag

5/6/2018

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When it comes to outdoor photography, we’re used to seeing photo backpacks from MindShift Gear, but we usually turn to sister company Think Tank Photo for our shoulder bags. Think Tank does have some nice shoulder bags, but they’re really not optimized for the great outdoors, which is also true of their backpacks – great utility and construction, but aimed more at the streetshooter, than the nature photographer, which also applies to their shoulder bags.
 
Well, not surprisingly MindShift decided to divert a little bit of their attention to the shoulder bag, while not sitting idle where backpacks were concerned, and introduced a one-two punch in the new Exposure bag, practically alongside the smaller BackLight.
 ​

Where can I get more info, tech specs & order this product? (click on a bag)
BackLight 18L 
Exposure 15 
 
Manufacturer:
MindShift Gear
 
How much is it?
BackLight 18L: $199.99
Exposure 15: $169.99

A Quick Look at the New MindShift BackLight 18L
I’ve previously written extensively about the BackLight series, which, until now, consisted of two larger bags, first the 26L, followed by the 36L – the model number reflecting capacity, in liters. That makes this bag half the size of the largest version, at least in carrying capacity.
 
I still use the 26L, having gifted the 36L to a friend who routinely carries a load of gear, and when the 18L arrived, I thought it would be too small for my Tamron 150-600mm G2. I first tried the 18L out with my Nikon D500 attached to the new Tamron 100-400 (look for a review of this lens shortly). It was a perfect fit. Next came what I thought would be the impossible task.
 
On its own, the 150-600 settled in comfortably. But could I say the same when attached to the camera? Well, I did have to move a couple of the padded divers out of the way, but I managed a good fit. Of course, that shift in the partitions negated the use of the other half of the bag for a second camera with attached lens. Well, I could always carry a second body and lens separately – plenty of room for that.
 
In the backpack's factory configuration, when situating the camera with 100-400 attached (at the top of the bag, lens downward), there was plenty of room for that second body with attached lens (cradled from the bottom of the bag, lens upward). Long and short, I’ll still use my 26L for that monster glass and relegate the 18L for the D500/100-400 combo riding side-saddle with, say, a D610/90mm macro attached – and still have room for a Nissin flash.
 
You can read my earlier reviews by clicking these links:
 
BackLight 26L review 
 
BackLight 36L review 
 
I should point out that I was so happy with the BackLight 18L that I gave my trusty TrailScape 18L to a friend in favor of the new bag. I prefer the interior layout of the BackLight 18L, considering it will hold two cameras with attached lenses right from the get-go.

MindShift’s Exposure 15 Shoulder Bag
When it comes to shoulder bags, my preference runs to smaller bags. I find it more fatiguing when wearing even a small shoulder bag or sling bag than when carrying a fully loaded backpack. Still, a shoulder bag does come in handy on occasion. You won't carry a backpack to a formal occasion, or even when visiting friends. Not to mention, it's so much easier to stow a shoulder bag on the floor underneath  or alongside your seat when dining.
 
I already own and use the perfect shoulder bag, Think Tank’s Signature 13 – elegant styling, functional, and small enough to carry just what I need for streetshooting. So I wasn’t about to make that bag redundant with the Exposure 13. Besides, the larger Exposure bag sported more spacious pockets – and I love pockets.
 
Still, the Signature bag lacks one thing that, to my mind, would have made it perfect: a waist belt to take the weight off my shoulder. It would have been very easy for Think Tank to have fitted the bag with a removable waist belt, but that probably would have run counter to the fashion statement that bag makes.
 
Fast forward to the Exposure series. These bags don’t feature a waist belt, but they come with the next best thing: a security tether, or what MindShift calls a "cross-body stabilizer strap." This keeps the bag from slipping off your shoulder – or swinging around and in your way when you bend down to shoot something low to the ground. It also prevents someone from pulling the bag off your shoulder. You can also wear the bag sling-style, which is how I’d been using it, and how it was primarily designed to be worn. The neoprene shoulder pad is sewn in and runs much of the length of the strap, rendering the strap well suited to either mode of portage.
 
This bag also features new materials that make it practically impervious to the elements, and the lid has flaps at either end to keep out dust, flying debris, and rain/snow. It does not have a zipped inner lid, a trademark of the Signature bags. However, the Exposure uses only a single plastic buckle for fast access. Some Velcro-type closure system wouldn’t have hurt, so you wouldn’t have needed to constantly snap the buckle shut. It’s a noisy prospect when you’re trying to remain quiet while focusing on birds or other wildlife.
 
As for the interior of the bag, it too lacks the finesse of the Signature bag, but, having said that, it does provide the needed protection. I was able to fit my D500 with attached 100-400, standing the rig lens downward inside the bag. With a shorter lens, the camera could have been supported by the dividers along both sides. Still, even with this long lens, the flap closed without any unruly bulge. BTW – carrying this combo was another reason, perhaps the main one, I’d opted for the larger Exposure 15. The Exposure 13 would have been too small.
 
I should also note that the Exposure 15 will carry a 15” laptop, along with a tablet. There are numerous other pockets, along with a luggage-handle pass-through so you can piggyback the bag on your roller luggage. A tripod is carried at the bottom – straps included. Also included is a rain cover, not that you’ll need it in a light rain, since the bag is sufficiently weatherproofed on its own. Oh, and if that’s not enough, there’s also a water-bottle pocket that will comfortably hold your average-size water bottle.

​Conclusions
One advantage a shoulder or sling bag has over a backpack is that it allows immediate access to your camera gear. That precisely is what drives me to use a bag such as the Exposure 15 on occasion. With a backpack, you normally have to find a place to lay the bag down when it comes time to access or stow gear.
 
Well, not so with the BackLight series. You can still wear the bag, open the rear (main) flap, and access your gear. On paper, at least. As I found out with the earlier iterations of this design, this doesn’t really fit my shooting routine – and a reader concurred vis-à-vis her style of shooting. I find it faster and easier to lay the bag down. And if the ground is wet or muddy, then I’ll simply stow the lenses and flash I may later need in accessory pouches or in the pockets of a photo vest. MindShift may not have a photo vest (why not, guys?), but they do have a full line of pouches for pretty much anything you need to access on the trails.

I found myself using both bags in a variety of situations, not least of which was for bird photography. Both bags are thoughtfully designed, practical and durable, to say the least. And each should easily fit in the overhead bin, if not under the seat, on most commercial aircraft.

Who Should Use the BackLight 18L and Exposure 15?
Travel, nature, and wildlife photographers.
 
Capsule Comments
When traversing rough terrain or for long, strenuous hikes, the BackLight 18L is the clear choice, with its extra-comfy backpack harness system. On public conveyances, crowded streets, and travel involving a lot of walking on sidewalks or dirt paths in city, town, or village, the Exposure 15 shoulder bag would be my choice, for fast access, along with added security thanks to the tethered strap.

A rain cover is included with each bag, and both bags will carry a tripod, as well as a laptop (13" in BackLight 18; 15" in Exposure 15), plus tablet. And for those hot days, don't worry - each bag holds a water bottle.

​And, they are very reasonably priced for the top quality you're getting.
​
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Test Report - MindShift Gear's BackLight 36L Photo Backpack - The BackLight Supersized

11/17/2017

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Picture
​It was nearly a year ago that I tested the progenitor to the BackLight series, the BackLight 26L, from MindShift Gear. That pack has become a staple in my stable of carrying gear, which includes a variety of MindShift and Think Tank Photo products. I’ve grown to rely on them for their utility and durability. And these days, I’ve been leaning toward smaller bags that limit what I carry. I prefer to arrive home after spending hours on my feet little worse for wear, and lighter loads allow me to do that. I also find I work faster and more efficiently if I can work economically.
 
Anyway, so this BackLight 36L arrives on my doorstep. It’s a full 10 liters bigger than the previous model, which I use mainly when shooting with my Tamron 150-600mm G2. In fact, what that translates to is, the 36L is taller, wider, and deeper. So the question you have to ask yourself when choosing between the two versions is, how much backpack do you really need?
 
But even before you go there, take a closer look at the pack and you’ll notice something different – something that sets it apart from other MindShift (and competitor’s) backpacks. Hint: it has to do with camera access. The name should give you a hint.

The Design - The Good and the Bad
In contrast to typical backpack designs, the BackLight employs a rear-access panel, rather than a front panel. (Front outer pockets hold a variety of other stuff, as we’ll see.). It’s a zipped, drop-down panel, but by giving you access to your gear from the rear, you keep prying hands away from your precious cameras and lenses. It may take a little getting used to at first if you’ve been using a more traditional pack, but, provided you’re not switching back and forth, as I am wont to do, you should have a firm handle on it after one or two outings.
 
MindShift will try to tell you that you can change lenses on the fly, without removing the bag from your body, thanks to this rear panel and a short neck cord found inside the bag. I tried it with the 26L. It didn’t fly. And with an even bigger and heavier bag, I’m not even going to attempt it. Frankly, I wish they would have removed that cord, since it always came undone on the smaller bag. And it was not very comfortable.

​The Backpack Harness - Designed for Comfort
As is true with every component of each bag they make, MindShift doesn’t skimp when it comes to shoulder straps and other parts of the harness system. The shoulder straps are contoured and well padded for a comfortable fit.
 
Another feature of a well-designed backpack, the contoured and padded waist belt hugs your hips, ensuring a stress-free ride. The waist belt is supposed to take much of the weight off your shoulders, while preventing the bag from shifting around, which is important when negotiating rough, uneven terrain, but even simply for long stretches without a break. And there’s also a sternum (chest) strap, which further prevents the bag from moving around. A stable bag means you’re less inclined to lose your balance and tip over.
 
Another nice aspect of this bag, given its relatively large size, the bag reaches from your hips to your shoulders, with shoulder compression straps for added comfort and stability. I see too many people wearing backpacks that hang down like a loose sack. No chance of that happening here, since the bag just naturally lends itself to being worn properly.
​

Where can I get more info?
MindShift Gear
 
 
Manufacturer (use this link to order):
MindShift Gear

​ 
How much is it?
$289.99 (in woodland green or charcoal)
 

​Who Should Use This?
Hikers and backpackers, bird photographers, wildlife photographers, nature and landscape photographers; professionals and serious amateurs.
 
Capsule Comments
Well designed; solid construction – made with high-quality hardware and materials; weather-resistant; customizable to fit around your gear; protective; comfortable.
 
​The Customizable Interior
Inside, there’s plenty of room for two bodies with lenses attached (a 70-300mm or maybe a 70-200mm on one, a 24-70mm or fast 50mm on the other, for example). If you attach a long, fast lens or something like the aforementioned 150-600mm, sorry, you’ll only have room for one body/lens combo. But you can store a second body by itself, or with a pancake lens.
 
I should point out that the bottom of the bag is a bit more spacious than it needs to be. You might want to stick some foam at the bottom to take up the slack. You may be able to use the included rain cover, but I tend to think the material is a bit on the scratchy side for the LCD. Besides, a better place for the rain cover is in an external pocket, where it’s easily and quickly accessible.
 
The depth of the bag easily accommodates gripped DSLRs. More than that, you can stow some lenses on end. If you’re a glutton for punishment, that means you can carry more gear. There’s plenty of room. While the padded dividers employ a hook-and-loop system so you can customize the interior around your gear, I wish MindShift had used hook-and-loop-covered padded dividers here, as they do in some other bags. That system just gives you an added edge in fitting the bag exactly to your needs.
 
And again, let me point out that my fantasy dividers are closed-cell foam sandwiched between open-cell foam layers, for the ultimate in shock and vibration protection. But no manufacturer is paying attention.
 

KEY FEATURES per MindShift Gear
  • Daisy chain, ice axe loops and additional lash points for expanding carry capacity
  • Includes tripod/monopod mounting system on front or side
  • Padded waist belt for all day comfort with webbing rail for attaching MindShift accessories
  • Quick-fit waist belt adjustment for rapid and convenient fitting
  • Side compression straps with locking SR buckles for additional lash points
  • Air channel and lumbar support on rear-panel for all-day comfort
  • Ergonomic zipper pulls are easily gripped with gloves or chilled fingers
  • Highest quality YKK RC Fuse zippers, 420D Velocity and 420D high-density nylon for long lasting durability and strength
  • Front stuff pockets for trail essentials: headlamp, gloves, chargers
  • Adjustable dividers for large telephoto lenses, traditional photo gear, or personal items
  • Top zippered pocket for quick access to essentials
  • Interior mesh pockets for storing filters, batteries, cables, etc.
  • Seam-sealed rain cover included
  • Compatible with MindShift’s Tripod Suspension Kit, Filter Nest, Filter Hive and Switch Case
​Room for a Laptop, a Tablet – and a Tripod
Rear access means you can carry a tripod centered over the front of the bag for better balance on uneven terrain. All the accoutrements are in place, but neatly tucked away top and bottom. Or you can carry the tripod on either side, with a water bottle on the opposite side. If you’re mostly traveling over flat terrain, side-carry is not a problem.
 
Keeping the tripod over the center makes more sense for the long haul, but it does get in the way when laying the bag down to get at gear. And if you carry a tripod, you definitely do not want to use that neck cord to change lenses while still wearing the bag.
 
I don’t know about you, but I never take my laptop into the field. Still, if that’s your preference, this bag lets you do that – inside a padded sleeve. Not only that, but you can also carry a tablet. The tablet sleeve isn’t padded, but the surrounding pocket is so voluminous that you’ll likely keep a jacket and other stuff in there to cushion against bumps.
 
​Conclusions
This bag has a lot going for it. Added features not covered above include side compression straps and a padded carry handle – more a padded loop, than a handle, really. The hardware is, as always, uncompromising. And the airflow cushioned back with lumbar support ensures comfort under trying conditions. Plus, there are additional pockets outside and inside.
 
Some may argue, and justifiably so, that carrying the laptop up front is not the best way to go, especially on long treks. Where’s the best place? At the rear of the pack, against your back – and this is something that MindShift fails to recognize, with one or two bags being the exception. Granted, that would be extremely difficult in a bag of this design, but I do think it’s doable. On the other hand, perhaps wiser heads prevailed here.
 
If you think you’d be comfortable with a backpack that grants access to camera gear from the rear, and you need something bigger than the 26L, then the BackLight 36L is your ticket to ride. You’ll find it comfortable and your gear will be well-organized and thoroughly protected. It’s a win-win!
 

MATERIALS per MindShift Gear
Exterior: For superior water resistance, all exterior fabric has a durable water-repellant coating, plus the underside of the fabric has a polyurethane coating. Features the highest-quality abrasion-resistant YKK RC-Fuse zippers, 420D velocity nylon, 420D high-density nylon, 320G UltraStretch mesh, 350G airmesh, nylon webbing, 3-ply bonded nylon thread.
 
Interior: 210D silver-toned nylon lining, hexa-mesh pockets, high-density
closed-cell foam, PE board reinforcement, 3-ply bonded nylon thread.
 
 
PRODUCT SPECIFICATIONS per MindShift Gear
Exterior Dimensions: 13.8” W x 22.4” H x 10.2” D (35 x 57 x 26 cm)
Interior Camera Compartment: 12.6” W x 21” H x 7.1” D (32 x 53.5 x 18 cm)
Laptop Pocket: 11.2” W x 16.1” H x 1” D (28.5 x 41 x 2.5 cm)
Tablet Pocket: 10.6” W x 10.2” H x 0.6” D (27 x 26 x 1.5 cm)
Total Volume: 36L
Weight: 4.9 lbs (2.2 kg)
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Test Report: Think Tank Photo's Spectral 8 Shoulder Bag - Stylish and Practical

9/11/2017

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PictureSpectral 8. Courtesy Think Tank Photo.
​While the Spectral series from Think Tank Photo may not share the same elegance as this company’s Signature series, the new shoulder bags do weigh in with a couple of nice features I would have liked in the Signatures. On the other hand, a few of the trademark elements found in the Signature would have been welcome additions to this bag. (Click this link for my review of the Signature Series.)
 
Still, all in all, the new bags have much going for them. I chose to review the smallest of these, the Spectral 8, since it’s primarily aimed at the mirrorless camera (as well as compact DSLR) user and I wanted to address a market segment I tend to overlook. The two larger bags, Spectral 10 and Spectral 15, address more robust DSLRs, but without grips.

​The Exterior
The Spectral 8 has a fairly slim profile. There’s only one outside pocket on this bag beyond the cover flap – elastic mesh for a small water bottle. The larger bags in the series have a full width/full depth outer sleeve as well. Not sure why this was omitted on the smallest bag. You can never have too many outside pockets.
 
There’s also a small padded handle on top, but the main mode of carry is obviously the shoulder strap. Sadly, the Spectral series returns to the more conventional sliding pad, in contrast to the narrow, elongated sewn-in-place pad on the Signature. The pad is wide and stiff, but you can still wear the bag cross-body (sling-style). However, the non-slip strip could have been extended for a larger gripping surface.
 
In contrast to the Signature series, the Spectral bags can carry a tripod. A pair of tripod straps are included. They attach on the bottom. Granted, this does make setting the bag down on any surface somewhat cumbersome, but it sure beats having to carry a tripod by hand or in a separate bag. You’d do best with compact tripods, especially for this small bag.
 

Where can I get more info?
Think Tank Photo Spectral Series
 
Manufacturer (use this link to order):
Think Tank Photo


​Going Undercover
The cover flap has a magnetic clasp. Nice touch. Pull a tab to release; just drop the flap back down and it should close on its own. I would have preferred this mode of closure to the metal buckles used on the Signature, although it doesn’t reflect the same level of chic. (I’m always afraid the metal buckles will come crashing down on the camera’s LCD when I use the Signature.)
 
Lift the flap and you come to a small outer sleeve that will hold a cell phone of any popular size. Behind that is a zippered pocket designed to hold an 8” tablet, or accessories, such as maps, a guide book, and such. Sleeves within the pocket will hold spare batteries and a memory card wallet. (The larger bags will carry 10” tablets, and the 15” bag will carry a laptop.)
 
Before we go inside, we encounter a secondary cover flap. As on the Signature, this one is zippered and designed to keep out prying hands, as well as the elements. Unlike the one on the Signature, it’s not pleated (which would have been nice – to accommodate lenses that protrude just a bit when standing on end).
 
Open this second flap to access your gear. You can leave it open and fastened to the cover flap via a Velcro-style hook-and-loop attachment, or tuck it into a sleeve inside the cover flap. To be practical, don’t tuck this inner lid away. Instead, use that additional pocket as a “secret” compartment for valuables (it closes with hook-and-loop fastener). By the way, I prefer this arrangement to the one used in the Signature bags.
 
If you use a sling strap that fastens to the camera’s tripod socket, you may be able to leave it attached, since there is enough room for it.
 
One convenience feature carried over from the Signature line of bags is the trolley sleeve (luggage-handle pass-through). This lets you easily piggyback the bag on your roller luggage.
 
​The Interior
The inside of the Spectral may not be as tricked out as that of the Signature series, but it certainly is functional.
 
The bag easily supports a body with attached lens, and because the camera with lens is suspended from a platform consisting of two padded dividers, it’s an easy grab on the run. There’s also room for an extra lens or two or three (depending on size), and possibly an external flash. There is certainly room to squeeze in a sub-compact flash.
 
Additional dividers let you stack small items. All the dividers are movable, making the interior fully customizable.


How much is it?
$99.75/Spectral 8
 
$119.75/Spectral 10
 
$139.75/Spectral 15


In Use
I gave the bag to a friend with an Olympus mirrorless outfit. She cradled the super-compact Pen E-PL6 with attached 14-42mm lens atop the supporting dividers and stowed the 40-150mm lengthwise bottom left. The 9mm fisheye found a secure berth as well, along with a variety of accessories, including a sling strap.
 
Her one complaint: the bag was too wide for a camera this compact. But she found a way around that, securing the camera in place with one or two pouches filled with accessories. Still, from her expression, she would have been happier with a slimmer bag.
 
Next came the Manfrotto Compact Action tripod.
 
I attached the tripod straps (included) to the bottom of the bag and my friend fastened the tripod in place. As she shouldered the bag and started walking around with it, she did note that the tripod didn’t appear to be held as securely as she would have liked. In fact, she’d resolved to carry the tripod separately, just to be safe. Perhaps, with time, we could have figured out a way to secure the tripod to the bag that would have made her more comfortable, but time was short and we had to be somewhere.
 
I should note that she otherwise found the bag a good fit, even when worn sling fashion. My initial impression was that the stiff, wide shoulder pad might lead to some discomfort, but she found it quite comfortable. The Spectral 8 suited her well.

​​Who Should Use This?
Amateur photographers; photojournalists, news photographers, documentary photographers, street photographers, and travel photographers carrying a light load; the Spectral 8 in particular is ideally suited to mirrorless and compact DSLR systems with small to modest-size lenses (larger Spectral bags for pro-size DSLRs without grip).

Capsule Comments
Affordable, well designed, and somewhat fashionable; a practical shoulder bag; weather-resistant on its own, with rain cover (included) for serious downpours; Spectral 8 is well suited to a mirrorless or compact DSLR system with a smattering of lenses, albeit a bit roomy for sub-compact mirrorless bodies.

Conclusions
Unlike the much more costly Signature series with its leather accents, the comfortably-priced Spectral series is low-key. Yet the Spectral does carry a certain degree of panache with it.
 
More important than looks is functionality. The bag wears well and is easy to work out of.

KEY FEATURES per Think Tank Photo
  • Tablet pocket (Spectral 8: 8”, Spectral 10 & 15: 10”)
  • Phone pocket sized for today’s large phones
  • Tripod attachment points and straps
  • Highest quality materials (metal hardware, YKK RC Fuse zippers, 420D velocity nylon) and the highest quality construction
  • Luggage handle pass-through
  • Comfortably padded non-slip shoulder strap for all day comfort
  • Customizable divider layout with dividers for stacking short lenses
  • Water bottle pocket
  • Seam-sealed rain cover included
  • 15” Laptop compartment (Spectral 15 only)
 
 
MATERIALS per Think Tank Photo
Exterior: All fabric exterior treated with durable water resistant coating while fabric underside is coated with polyurethane for superior water resistance. The bag also has YKK RC Fuse (abrasion resistant) zippers, 420D velocity nylon, double PU coated P600D, heavy-duty nylon tarpaulin, UltraMesh pockets, antique plated metal hardware, Fidlock mangetic buckle, 350G 3D air mesh, 3-ply bonded nylon thread
 
Interior: PE board reinforced removable closed cell foam dividers, 200D liner, PU backed nylex liner, 2x PU coated nylon 210T seam-sealed taffeta rain cover, 3-ply bonded nylon thread
 
 
PRODUCT SPECIFICATIONS  per Think Tank Photo
Spectral 8
  • Internal Dimensions: 10.2” W x 7.5” H x 4.9” D (26 x 19 x 12.5 cm)
  • Exterior Dimensions: 11” W x 8.3” H x 6.1” D (28 x 21.2 x 15.5 cm)
  • Tablet Compartment: 8.3” W x 5.5” H x 0.6” D (21 x 14 x 1.5 cm)
  • Weight: 1.7 lb (0.8 kg)
 
Spectral 10
  • Internal Dimensions: 13” W x 9.1” H x 4.9” D (33 x 23 x 12.5 cm)
  • Exterior Dimensions: 13.8” W x 10” H x 6.1” D (35 x 25.5 x 15.5 cm)
  • Tablet Compartment: 10.4” W x 7.6” H x 0.6” D (26.5 x 19.2 x 1.5 cm)
  • Weight: 2.2 lb (1.1 kg)
 
Spectral 15
  • Internal Dimensions: 15.3” W x 9.8” H x 5.1” D (39 x 25 x 13 cm)
  • Exterior Dimensions: 16.1” W x 12.6” H x 6.3” D (41 x 32 x 16 cm)
  • Tablet Compartment: 12.6” W x 7.6” H x 0.8” D (32 x 19.2 x 2 cm)
  • Laptop Compartment: 14.1” W x 9.6” H x 1” D (36 x 24.5 x 2.5 cm)
  • Weight: 2.5 lb (1.2 kg)
 
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Test Report: MindShift Gear's PhotoCross 13 Sling Bag Is a Natural for a DSLR with Attached 150-600mm Zoom

7/11/2017

1 Comment

 
PicturePhotoCross 13 sling pack (orange ember). Courtesy MindShift Gear.
​If the PhotoCross 13, from MindShift Gear, can hold my Nikon D500 with Tamron 150-600mm G2 attached, imagine what other combinations of gear it can carry! That’s the surprising discovery I made on the third day working with this bag. But first allow me to detour for a moment with some thoughts on choosing between a sling and backpack for your photo gear.

​Sling vs. Backpack
I routinely prefer a backpack for my photo adventures into the wilderness, and even on the streets of Chicago. More to the point, I’ve never been one to wear or even favor a sling bag when carrying camera gear, except when testing these bags. They are favored by the younger generation, I’ll give you that.
 
Granted, when I wear a shoulder bag, namely the Signature 13, I do so largely sling-fashion, but that’s only because the strap on that bag lends itself to easy portage in this manner. And I carry a light load (read more on the Think Tank Photo Signature 13 here.) 
 
The problem with bags that carry the moniker “sling” is, in my experience, that the strap always cuts into my neck, largely due to a shoulder pad that is too stiff and inflexible. And many of these bags try to be a photo pack minus the backpack harness, meaning they strive to fit as much gear as possible, to the point where your neck and shoulder will hate you 15 minutes into your trek.
 
So when MindShift announced the PhotoCross, I approached it with some trepidation. Little by little, the bag started to grow on me. In the end, I may have found the one sling that fits me to a tee.
​
PicturePhotoCross 13 (with orange accents) on the left; PhotoCross 10 on the right. Courtesy MindShift Gear.
​Choosing the Right Size
I immediately opted for the larger of the two new PhotoCross sling bags. In determining what would be a good fit, I began with the product photographs on MindShift’s website – the pictures showing the bags decked out with a complete array of gear.
 
The second thing I did (and do routinely) before requesting a sample bag for testing and evaluation is to watch the product video. MindShift (as well as Think Tank) keeps the introductory video short and sweet. I try very hard to read between the lines, but, I have to admit, they keep the dialog tight and to the point. So the only thing left for me to do was to order the bag I felt would be the right fit. And that was the PhotoCross 13. It proved to be the right choice.
 

​PhotoCross on the Surface
Aside from a choice in size, you have a choice in color schemes. More realistically, it comes down to a choice in color accents. I chose Orange Ember, the other choice being Carbon Grey (hey, MindShift – this is the USA; we spell it “gray”! No need to get hoity-toity on us.). I would have been happier still with a bag that was predominantly orange, with gray (not “grey”) accents.
 
The color accents around the front of the bag key us into the zipper locations. There is an outside pocket, which I wish would have been pleated to accommodate a light jacket. But, as is, it’s still functional enough to hold any non-bulky extras you may need. There’s also a pair of smaller pockets inside this outer pocket. The other zipper leads to the main camera section, with additional pockets.
 
There’s also some accent stitching on the back – not that anyone will notice while you’re wearing the bag. Still, a nice touch. And there are other subtle color accents besides.
 
Okay, color schemes aside, let’s get down to the nitty-gritty. The body of the bag maintains a fairly svelte appearance. That’s not a fashion statement. That’s a practical feature. In the woods there’s less likelihood that the bag will hinder your progress in tight spaces and it won’t bump into people on buses and trains. Well, the tripod hanging off the back might, but you can always hand-carry it till you reach a clear path.

​The PhotoCross Harness System
This sling pack features a one-piece, adjustable shoulder strap, with thin, air-circulating, mesh-covered padding lining much of the strap. There’s a stretch of similar padding extending out from the base of the bag, which falls against your lower back. I wish this padding ran the entire length of the strap for added comfort.
 
That same mesh lines the back of the bag. However, lacking the raised shoulder and lumbar pads usually found on a backpack, this really didn’t provide much cooling. But there’s a way around that (read on).
 
The shoulder strap has no buckles to fasten and unfasten. While fasteners do make it easy to remove the bag when you’re seated, in every other conceivable situation, they’re a nuisance – and a potential hazard. With gravity and inertia taking over, you may lose your grip on one or both straps when trying to snap the ends together, or when unsnapping them, with the potential for the bag to come crashing to the ground.
 
And to sweeten the deal, there is even a set of compression straps – one at the top, another at the bottom – so you can better tailor the shoulder strap and ultimate fit to your comfort level. By this means you can separate the bag from your back a bit more for improved air circulation.
 
What’s more, there’s no sliding shoulder pad that you constantly have to readjust. The padding is part and parcel of the strap, so it moves with the strap. And, again, the soft padding on this bag ensures your neck won’t chafe from a stiff shoulder pad. You may still find yourself adjusting the strap to optimize your comfort level, but that’s something one does normally when wearing any bag.
 
There’s also a tuck-away waist belt. It’s largely there in case you’re negotiating treacherous terrain and want to prevent the bag from shifting and throwing you off-balance.
 
Couple that with a pair of hand straps to help you get a better grip on the bag. Add to that, the bag employs reinforced box-X stitching at stress points on the main handle. And the stitching on the bag overall is immaculate, with nary a loose thread that I could find.

PicturePhotoCross 13. I pulled out the dividers, positioning one as a "floating cushion" beneath the lens, then parked the D500 with attached Tamron 150-600mm G2 cozily in the bag.
​The PhotoCross 13 in Use
The bag is meant for a casual walk in the woods or on city streets, with a modicum of gear. You’re not going to get a gripped DSLR and long, fast lenses in here.
 
The main camera section has three, fully adjustable modules, with movable padded dividers (via Velcro-type hook-and-loop fasteners). What will that fit? I’ve carried a 70-300mm attached to the camera, a flash in the second module, and various accessories including sling strap in the third. Actually, you’ll be surprised at how much you can squeeze into this bag.
 
What’s more, I was pleasantly surprised when I was able to load my D500 and 150-600 zoom into this bag. It was a tight fit and getting this combo back in the bag while I was wearing it required a bit more of an effort than when removing the gear. It was also fairly easy to load this combo into the bag before donning it. I also managed to fit the Nissin i60 in a soft pouch on top when I'd started out.

If you’re wondering, if I had to remove the tripod mount on the 150-600, the answer is no. I inserted the camera into the bag lens first, camera grip upwards (portrait mode). And I rotated the tripod mount so it rested facing upwards, making it easy to grab the mount as a handle and pull up. Once out of the bag, the tripod mount was returned to its original position.
 
There’s also a tablet sleeve inside the camera section, lying against your back. I say “tablet,” not “laptop,” because I can’t see anyone schlepping a laptop of any size, unless it weighs no more and is no bigger than a tablet (contrary to specifications). I’m not even sure I’d carry a tablet, certainly not with the long-lens rig just described. Perhaps I would with a smaller, lighter load.
 
Because I wear hats, the hat does get in the way, requiring its removal when donning the pack, or removing it. A sling camera strap proved equally annoying when wearing this sling pack. I may try to sling the bag to the left and carry the camera at my right (for a fast grab – really, the only way to use a sling strap) and see how that works. Although I’ll probably just keep things as they are, being right-handed.
 
Given that the bag’s hand strap on top falls naturally in position for an easy grab with your right hand when the bag is carried to the left, I’m beginning to wonder if that wasn’t the intended carrying method. I gave it a quick try, but it didn’t feel natural, so back to the tried and true (subject to change without prior notice).
 
A third strap on the bottom would equal the score in terms of making it easy to grab and swing the bag around, but that may interfere with the integrity of the bottom panel, which is designed to be better resistant against wear to vertical placement and scraping of the bag on rocks and dirt.
 
All that aside, what’s important is that the entire time I wore the PhotoCross, I never felt as if it were choking me or cutting into my neck.
 
One thing I should point out. It may take a bit of trial and error to get the shoulder strap just the right length, while adjusting the compression straps for maximum comfort. For now I have the bag flush against my back at the top, but looser at the bottom, which seems to work for me.

Look for a review of the Nikon D500 and Tamron 150-600mm G2 soon.

Who Should Use This?
Hikers and nature enthusiasts; tourists; amateur photographers on a regular basis and even pros on vacation.
 
Capsule Comments
Fairly comfortable and protective; durable construction; customizable; thoughtfully designed; room for a tripod and full-size water bottle; weather-resistance aided by included rain cover; barely room for a jacket in the outer pocket but can be carried in place of a tripod, or perhaps with the tripod; holds a small laptop (PhotoCross 13) or tablet (if you must); PhotoCross 13 was surprisingly roomy – carried my DSLR with attached 150-600mm zoom.
 
Conclusions
On one outing, after detaching the sling strap from the camera, I put the camera down in preparation for returning it to the bag. Then it dawned on me: Hey, this is a sling bag! No need to take that extra step. Of course, I could have left the camera attached to the strap, but who knows how the mind works sometimes? (Either way, I often prefer to separate strap and camera till I reach my destination.) Anyway, I brought the bag around to the front and unzipped it, picked the camera up, tucked it safely into the bag, followed by the sling strap, zipped the bag, and returned it to its resting place against my back. The story doesn’t end there.
 
Going home I boarded a crowded Chicago “L” (subway) train, resigned to stand for much of the trip, when I spied a seat. I shifted the bag to the front, against my stomach, grabbed onto an overhead hand strap, and gingerly swung myself into the seat for a perfect landing that didn’t jostle the passengers on either side. Had I been carrying a backpack, this story would have ended quite differently.
 
Now here’s my full itinerary for the first three days of testing. It went something like this.
 
Day 1: Sweltering heat and humidity, but I managed a short walk around the neighborhood without feeling stressed out by the adverse conditions. Gear: Nikon D500, Nikon 18-200mm attached to camera, Nissin i60A shoe-mount; Custom SLR Glide One sling strap.
 
Day 2: This day saw me on a walking tour of Chicago Riverwalk for several hours, in the evening – cooler, but considerably more walking. Gear: D500 with attached 18-200mm, ultra-compact Sirui T-025X carbon fiber tripod; Giottos compact head carried inside the bag (so the tripod wouldn’t extend out from the bottom); Nissin i60A flash; Glide One sling.
 
Day 3: I headed into the woods sans tripod to photograph deer and wildflowers for a few hours – a mild hike on undulating paths, on a fairly muggy day. Gear: D500, Tamron 150-600mm G2 lens attached; Nissin i60A (although after packing away the camera with sling strap attached, couldn’t find room for the flash so ended up carrying it in a vest pocket); Glide One strap.
 
On that last day, as I set out on the bus, it also dawned on me that I would never have to put the bag down while on a bus or train. I could simply slide it around so that it reposed gently, without the full weight falling on my knees, allowing me to sit comfortably.
 
At this point, I’ve pretty much dedicated the PhotoCross to carrying my D500 and 150-600. Well, until this Sunday, when I hit Chinatown for a festival and will likely switch lenses – but not bags.
 ​

MATERIALS
Exterior: All fabric exterior is treated with a durable water resistant coating while fabric underside is coated with polyurethane for superior water resistance, YKK weather resistant zippers, 420D high-density nylon, heavy-duty nylon Tarpaulin, 350g air mesh, nylon webbing, 3-ply bonded nylon thread.
 
Interior: Removable closed-cell foam dividers, P210D liner, polyurethane backed Velex liner, 2x polyurethane coated 210T seam-sealed taffeta rain cover, nylon binding tape, 3-ply bonded nylon thread.

Where can I get more info/order this product? (Click on highlighted link.)
MindShift Gear (use this link to order direct)

 
Manufacturer:
MindShift Gear

 
How much is it?
$129.99/PhotoCross 13
$114.99/PhotoCross 10

​FEATURES (per MindShift Gear)
  • PhotoCross 13 fits an ungripped DSLR, 2 - 4 lenses including a 70-200mm f/2.8 and some 13” laptops
  • PhotoCross 10 fits an ungripped DSLR + 1 - 2 lenses + 10” tablet or mirrorless body + 3 - 5 lenses + 10” tablet
  • Weatherproof zippers and materials
  • Tripod or jacket carry with included straps
  • Dedicated, padded pocket fits a tablet or a laptop (10 = 10” tablet, 13 = some 13” laptops)
  • Easy rotation for rapid access to gear and accessories
  • 3-point harness for stabilization with tuck-away waist belt
  • Secure your bag by linking the zipper pulls together
  • Water bottle pocket locks in most 1 liter bottles
  • Breathable 320G air-mesh back panel keeps your back cool during long days
  • Internal zippered pockets for batteries, memory cards or other small accessories
  • Easily accessible front pocket for filters, snacks, or a light layer
  • T-pulls are easily gripped with or without gloves
  • Top and side carry handles
  • Fully customizable interior dividers for photo or personal gear
  • Seam-sealed rain cover included for downpour conditions

​SPECIFICATIONS
 
PhotoCross 13
  • Internal Dimensions: 9.4” W x 14.2” H x 5.5” D (24 x 36 x 14 cm)
  • External Dimensions: 12.6” W x 17.7” H x 7.1” D (32 x 45 x 18 cm)
  • Laptop compartment: 9.1” x 13” x 1” (23 x 33 x 2.5 cm)
  • Maximum weight (with all accessories): 2.4 lbs (1.1 kg)
  • Shoulder strap length: 42.5–62.2” (108–158 cm) (includes length of product)
  • Waist belt length: up to 63.8” (162 cm) (includes length of product)
  • Volume: 11 liters




​

PhotoCross 10
  • Internal Dimensions: 7.1” W x 12.5” H x 4.8” D (18 x 31.8 x 12.2 cm)
  • External Dimensions: 11” W x 15.9” H x 6.3” D (28 x 40.5 x 16 cm)
  • Tablet compartment: 8.2” x 11” x 0.6” (20.8 x 27.9 x 1.5 cm)
  • Maximum weight (with all accessories): 2.1 lbs (1.0 kg)
  • Shoulder strap length: 42.5–62.2” (108–158 cm) (includes length of product)
  • Waist belt length: up to 61” (155 cm) (includes length of product)
  • Volume: 7.5 liters


 

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Test Report: Manfrotto Pro Light Bumblebee-230 Photo Backpack

6/24/2017

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PictureManfrotto Pro Light Bumblee-230. Courtesy Manfrotto.
When Kata first introduced the Bumblebee photo backpacks (distributed by Manfrotto), they soon became a favorite – at least for a time. What I liked about one bag in particular – and forgive me for not recalling the exact name – was its light-gray reflective exterior and the bright yellow (or yellow-orange?) interior that revealed every piece of gear stored.
 
Fast forward to the present. These bags no longer come under the Kata brand, being instead not just distributed by Manfrotto, but manufactured under the Manfrotto brand as well. The Bumblebee backpack I received kind of resembles the old Bumblebee, but that’s largely superficial. So has Manfrotto improved the backpack in the redesign? (Spoiler alert: read past the first few paragraphs to find out how I really feel about the bag. Don’t be dissuaded by my introductory comments.)

​Preliminary Observations: New Pro Light Bumblebee-230
The reason I’d requested the larger Bumblebee-230 was because the 130 was touted for CLC mirrorless systems. And since I’d planned to use the pack with either with my Nikon D500, possibly with battery grip, or D610 and various lenses, the larger bag seemed the logical choice.
 
So the bag arrives. And now I remembered one thing that had always bothered me about the original bag. The design of the backpack harness adds depth to the bag and it extends out in front like someone who’s had a few too many beers. What that means is, this bag will very likely not fit in the overhead bin on any aircraft I’ve been on, despite claims to the contrary. OK, technically it may fall under carry-on guidelines. However, you can’t argue with airport personnel or airline crew, especially if you’re among the last to board – what they say goes, and if they say it’s not a good fit, it’s not a good fit. And this is not the time when you can turn around and shift gears to a sleeker, more airline-user-friendly bag.
 
Okay, forget about air travel. What about everyday use? Well, try using public transit with a backpack that sticks out as far as this one does. You won’t get many smiles from the people you’ve jostled. Then let’s head to the woods. As you attempt to negotiate narrow trails and dense thickets you realize it’s going to be a tight squeeze and you approach the hike with some trepidation.
 
That aside, the interior design is a bit odd. There’s an upper shelf with an aperture for a lens to stick through. But the aperture is not centered over the central channel in the lower part of the bag, so how exactly do you fit things properly? You have to shift one of the main dividers over to align everything.
 
What’s more, the interior is dark. And the foam is thick – too thick, in my opinion. Yes, I like my gear cushioned and cuddly in a pack, but the thick foam kind of imposes itself and gets in the way. It takes on a cavernous appearance.
 
Okay, you’re saying, pull out the upper shelf and stretch the two main red dividers to their full length. Well, guess again. These were apparently fitted for the 130 and they’re too short to extend fully top to bottom in the larger 230.
 
So, where does this leave us? Well, all is not lost. In fact, there’s quite a lot to be said for this backpack.
​Now, What I liked About the Bumblebee-230
The pack is well constructed and will deliver years of good use. The backpack harness works admirably. I especially like the padded pocket in the padded waistbelt – keep a lens or flash here (a 70-300 will fit, although a flash would be a better choice, just in case you hit a lot of bumps in the road).
 
And the bag is comfortable. Which brings us back to the backpack harness. The waist belt does a beautiful job of keeping the weight off your shoulders. More to the point, it puts it on the hips – exactly where it should be. Few photo backpacks (or I should say backpack manufacturers) understand this, or even among those that do, few follow it in all their backpack designs.
 
Carrying a tripod comes second nature to this bag. There’s even a laptop sleeve. And there are enough pockets to house all essentials. Well, except for a jacket. The outer front zippered pocket should have been pleated to allow more room. I tried getting a lightweight jacket in there without luck.
 
I should also mention that there are two ways to get inside the bag. The upper and lower sections zip open separately. However, there is a flap that stands between the zippers on one side. Lift this flap up (it uses Velcro-type hook-and-loop material) and you can gain access to the entire interior with one smooth zip movement.
​Who Should Use This?
Bumblebee-230: bird and wildlife photographers with long, fast lenses. (130: the smaller pack may be better suited to a wider range of applications, such as street and travel photography, as well as hiking).
 
Capsule Comments
Still a great concept, despite my nitpicking; comfortable harness system with airflow mesh back panel; protective; well padded throughout; water repellant, with rain cover providing added protection against torrential downpours; spacious but deceptively so since movable, padded dividers are quite thick; difficult to see inside bag, unless you zip it open fully; heavy for a Pro Light bag.
 
Conclusions
Manfrotto had an opportunity to take the Bumblebee and make it the photo backpack for the ages. They dropped the ball. At least when it came to the Bumblebee-230. I imagine the smaller 130 would have been more to my liking. Had I seen the bag up close or perhaps if I’d paid closer attention to the product pages, I would have realized that. The large bag is best if you have a fast, long lens attached to the camera. For anything else, I would likely choose the smaller 130 instead, which would have assuaged most, if not all, of my complaints.
 
So, is the Pro Light Bumblbee the photo backpack for you? Give it a shot. In the long term, you’ll find it has a lot going for it. Again, consider the size and fit (for your gear, as well as you) before you decide.
 
I will say one more thing for this pack. This is the most comfortable Bumblebee photo backpack of any I’ve used to date. More to the point, it should be easily wearable for an extended outing on the trails.

PRODUCT SPECIFICATIONS/Bumblee-230 (per Manfrotto)
Weight: 93.47 oz
Color: Black
Material: Nylon, RipStop, Synthetic Fabric
External Height: 20.9”
External Length: 12.6”
External Width: 10.2”
Internal main compartment height (H): 20.1”
Internal main compartment length (L): 11.8”
Internal main compartment width (W): 7.5”
Laptop Compartment H: 20.1”
Laptop Compartment L: 11.8”
Laptop Compartment W: 1.2”
 
Manufacturer
Manfrotto
 
Distributed by/Order From/More Info:
Manfrotto
 
How much is it?
$279.99/Bumblee-230

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Field Report: Think Tank Photo's StreetWalker Series Photo Backpacks Take to the Streets as Version 2.0

6/15/2017

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PictureStreetWalker V2.0. Photo courtesy Think Tank Photo.
I used my original StreetWalker for a long while, eventually replacing it with MindShift Gear’s TrailScape 18L when that bag came along. What I liked about the StreetWalker (version 1.0) was its small size: It could easily fit under the seat of a commercial airliner and would be a comfy fit in a puddle jumper as well. But when the TrailScape came along, I figured, Hmm, a bit bigger and a roomy outer front pocket for a light jacket – OK, I’ll use this one when I need a smaller bag.
 
Now that the StreetWalker V2.0 (SW V2) is here, I find myself switching back to this smaller pack. After all, if I need something larger, capable of storing a jacket and some extras, I still have my MindShift BackLight 26L, which I recently discovered will snugly hold my Nikon D500 with attached Tamron 150-600mm G2 lens (look for a review of both products soon).
 
Think Tank also sent me the new StreetWalker Pro V2.0 (SW Pro V2) – the larger sibling in this family, but not the largest in this series by any means. There’s an even more spacious pack, the StreetWalker HardDrive V2.0 (which fits a full-size laptop), and new to the lineup, the StreetWalker Rolling Backpack V2.0 (roller and backpack in one). The two largest bags looked tempting, but I felt that two bags was enough to deal with for now.

​Inside and Out
The new SW V2 and SW Pro V2 are roomier on the inside than their original counterparts and slightly larger overall. Other than that, the new models add room for a 10” tablet on the bag. The tablet sleeve is the same size on both bags.
 
One of the problems I had with the original SW V2 (can’t recall if this also applied to the larger pack) was the small water-bottle pocket on the small bag. Think Tank addressed the issue in both V2 bags with an expanded, pleated zipped pocket behind the mesh pocket. Small water bottle? Use the mesh pocket. Large 32 oz Nalgene, use the zipped pocket.
 
I would have preferred that the pockets were pleated all the way around to the bottom. That would make an easier fit for a large water bottle and allow for a grommet at the base. A bottle with cold water subjected to a warm, humid environment will form condensation, and that condensation will pool at the bottom. A grommet allows the water to safely drip free of the bag.
 
The pocket on the left (with the bag on your back) has a small smartphone sleeve as well. I don’t know about you, but I carry my phone in a vest pocket, where I can easily reach it, not in the backpack, where it’s impossible to reach (unless you’re a contortionist) without taking the pack off your back. Some things appear cool on paper but are not very practical in the real world.
 
One of the more subtle changes revolves around the main padded partition. It’s now hinged toward the bottom to make room for a second camera with lens attached. Simply swing the hinged section over to the right to make room. When carrying two cameras with attached lenses, this provides for a well-balanced carrying situation, which your back will thank you for. Obviously, this reduces your ability to carry very long lenses, but, hey, you can’t have everything – unless you switch to a larger-size pack.
 
Any way you slice it, either bag is roomy enough to hold fast lenses attached to a DSLR, within limits. I would even venture to say that each bag could hold a medium-format camera, possibly with a lens, at the bottom. At the very least, the larger bag should hold two gripped DSLR bodies with attached lenses; the smaller one should accommodate one DSLR at the top and, on the bottom, one gripped body, each with lens.
​In Use
Air-flow mesh padding in the back and shoulder straps was welcome relief on a hot muggy day as I found myself walking around several popular birding areas in the Chicago area, wearing the StreetWalker Pro V2, on a bird photography outing with a friend.
 
I had the SW Pro V2 loaded with my Nikon D500 and Tamron 150-600mm G2 – lens attached, I might add, and resting comfy, cozy, and snug inside the pack. I also added a Nissin Di700A shoe-mount (which I’m also testing) and sling strap, that I sometimes left attached to the camera – or more correctly, the tripod mount for better balance.
 
And yes, I kept the tripod mount attached to the lens. Otherwise, you tend to forget these things when you need them, or misplace them entirely. I also find it much easier to carry the camera by grabbing onto the mount, although at times I may cradle the camera, varying with the moment or the situation.
 
The tripod mount was positioned fully downward inside the pack, an arrangement I found raises the entire assembly to the point where camera and lens practically hug the closed lid for a snug fit so things don’t bounce around. Still, as a further precaution, I tend to secure lens and camera with either an elastic band that attaches to either side surrounding and hugging the lens, or I position an unused padded divider over the lens barrel for this purpose. I should add that I left the lens shade reverse-mounted on the lens.
 
The lens being this new, I take one more precautionary step – I slide the packing Styrofoam collar that came with the lens in place beneath the hood, just as it arrived from the factory, to prevent distorting the hood. It’s probably overkill, I know, and I may discontinue this practice, but it stands for now.
 
One thing that bothered me about both bags: the lack of headroom above the camera. The D500 has a very deep grip. The Nikon D610 not so much, but it still had difficulty being comfortably seated in the smaller V2 pack. I almost gave up, till I realized I could reshape the central divider somewhat to make room. And that worked. I have the Tamron 24-70mm f/2.8 attached to the camera, and there appears to be room for a bulkier and longer lens in its place. The fit in the larger Pro V2 was also tight with the D500 in place, but not to the point where I had to make any further adjustments to the main divider.
 
As for comfort level, I’m not sure why – and this will no doubt differ with the individual – I found the smaller of the two packs rides more comfortably on my back. Perhaps it’s due to the heavier load packed into the Pro V2. Then again, I’ve loaded the BackLight with the same gear, and it was a smooth ride – as good as it gets. It may have something to do with the added depth of the SW Pro.
 
As a side note, I should point out that the added depth on the StreetWalkers offers one distinct advantage: It lets them stand upright easily, unassisted and without having to lean against something for support, without fear of the bag tipping over, which is certainly a plus.
​Conclusions
I’ve always admired the StreetWalker series and would have continued to use my StreetWalkers all these years if other bags hadn’t come along to replace them. Now the StreetWalker V2.0 (the smaller of the two new backpacks) will replace a MindShift pack of similar size and design.
 
I hold onto photo packs this size for air travel. But aside from that, they work for me and do the job I need them to do, protecting my gear and making it readily accessible, while allowing me to carry what I need most to meet practically any challenge.

​Who Should Use This?
Street photographers; travel photographers; photographers of all levels.
 
Capsule Comments
Well constructed, durable design, water-repellant (with rain cover for added protection); easily carries a tripod over the front, plus full-size water bottle in side pocket; room for tablet; best suited for DSLR outfits or larger mirrorless systems. Should keep you going for many years.

​How much is it?
$169.75/StreetWalker V2.0
$199.75/StreetWalker Pro V2.0
Manufacturer/Order From/More Info:
Think Tank Photo
 



FEATURES (per Think Tank Photo)
StreetWalker Backpacks V2.0
  • Tripod mount on front panel (tripod cup for larger tripods included on Pro and HardDrive versions)
  • Padded shoulder straps comfortable for all day trekking
    • YKK RC Fuse zippers, ballistic nylon, high density Velex and closed-cell PU foam are the highest quality materials in the industry
    • Seam-sealed rain cover included
    • Adjustable dividers allow you to customize the fit of your DSLR or Mirrorless gear
    • Two side water bottle pockets and two side zippered pockets
    •  Dedicated smartphone pocket fits today’s large phones with a 5.5” (14cm) screen size
    • Removable webbing waist belt detaches easily (applicable to SW Pro V2)
    • Interior clear zippered pockets for accessories
    • Organizer pocket
    • Shoulder harness pockets, D-rings, daisy chain and adjustable sternum strap
 
WHAT FITS (per Think Tank Photo)
StreetWalker Pro V2.0
  • Holds 2 gripped DSLRs, 4–6 standard zoom lenses, and a 10” tablet
  • Holds 1 gripped DSLR, 5–7 standard zoom lenses, and a 10” tablet
  • Holds 2 large Mirrorless cameras, 4–6 lenses, a flash, and a 10” tablet
  • Maximum lens size: 400mm f/2.8
Examples:
  • Nikon D4s with 70–200mm f/2.8 attached, 24–70mm f/2.8, 14–24mm f/2.8, 105mm f/2.8, 50mm f/1.4, SB900 flash and a 10” tablet
  • Canon 1DxII (x2), 24–70mm f/2.8 attached, 70–200mm f/2.8 attached, a 16–35mm f/2.8, and a 10” tablet
  • Sony a7mII with 70–200mm f/4 attached, 4–6 additional lenses and a 10” tablet
StreetWalker V2.0
  • Holds 1 standard DSLR, 1 gripped DSLR, 3–4 standard zoom lenses, and a 10” tablet
  • Holds 1 standard DSLR, 4–5 standard zoom lenses, and a 10” tablet
  • Holds 2 large mirrorless cameras, 4–5 lenses, a flash and a 10” tablet
  • Maximum lens size: 300mm f/2.8
Examples:
  • Nikon D810 with 70–200mm f/2.8 attached, 24–70mm f/2.8, 14–24mm f/2.8, 105mm f/2.8 macro and a 10” tablet
  • Canon 1DxII with 24–70mm f/2.8 attached, Canon 5DMIII with 70–200mm f/2.8 attached and 16–35mm f/2.8 and a 10” tablet
  • Sony a7mII with 70–200mm f/4 attached and 4–6 additional lenses and a 10” tablet
 
MATERIALS (per Think Tank Photo)
Exterior:
  • Durable water-repellant (DWR) coating
  • Polyurethane coating
  • 1680D ballistic nylon
  • YKK RC Fuse (abrasion-resistant) zippers – lockable (lock not included)
  • 420D velocity nylon
  • 550D poly-spun
  • 320G air mesh
  •  Ultra-stretch pockets
  • Y-buckles
  • Antique plated metal hardware
  • Nylon webbing
  • 3-ply bonded nylon thread
Interior:
  • Closed-cell foam and PE board reinforced dividers
  • 200D polyester
  • Polyurethane backed “super-stick” Velex liner and dividers
  • 2x polyurethane coated nylon 210T seam-sealed rain cover
  • Laminated clear mesh pockets
  • 3-ply bonded nylon thread
 
PRODUCT SPECIFICATIONS (per Think Tank Photo)
StreetWalker Pro V2.0
Internal Dimensions: 9.4” W x 17.3” H x 7.5” D (24 x 44 x 19 cm)
Exterior Dimensions: 9.8” W x 18.5” H x 8.3” D (25 x 47 x 21 cm)
Tablet: 7.7” W x 10.4” H x 0.4” D (19.5 × 26.5 × 1 cm)
Phone Pocket: 3.9” W x 7.5” H x 0.6” D (10 × 19 × 1.5 cm)
Weight: 3.5 lbs (1.6 kg)

StreetWalker V2.0

Internal Dimensions: 9.4” W x 16.1” H x 6.3” D (24 x 41 x 16 cm)
Exterior Dimensions: 9.8” W x 17.3” H x 7.1” D (25 x 44 x 18 cm)
Tablet: 7.7” W x 10.4” H x 0.4” D (19.5 × 26.5 × 1 cm)
Phone Pocket: 3.9” W x 7.5” H x 0.6” D (10 × 19 × 1.5 cm)
Weight: 3.3 lbs (1.5 kg)
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Field Report: Peak Design Everyday Backpack 30L

5/17/2017

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PicturePhoto courtesy Peak Design.
​Peak Design’s trademark, if you will, is out-of-the-ordinary photo accessories. They made their mark on the photo industry with the Capture camera and lens clips, which heralded a different way of carrying a camera and lens – essentially attached to your body. Now they’re looking to do the same with their line of Everyday line of camera bags, specifically the Everyday Backpack. Did they succeed?
 
Perhaps I should begin by saying that, while I thought the Capture clips were a clever idea, I never found them very practical. At least not for my style of shooting. And there’s the rub. We each have our own shooting style, so what works for one person may not work for someone else, or, to look at it another way, what doesn’t work for me may work for you.

​A Little Background
I’ve been working with photo backpacks ever since Ultimate Experience introduced the very first one several decades ago, in the pre-digital age (look it up, I think museums have a hall dedicated to it). That pack was well-constructed and very lightweight, but it had numerous shortcomings, to the point where I was happy when new packs started to arrive on the scene. Back then Lowepro stole the show. Today MindShift Gear is setting the benchmarks in outdoor/wilderness packs and Think Tank Photo in travel packs.
 
Anyway, when the Peak pack arrived, the first thing that struck me was, hey, this is one stylish bag. I was really curious to see how well it would hold up under actual use. I took a peek (no pun intended, well, maybe just a little) inside the Peak, and, again talking to myself, said, hmmm, let’s load this baby up and take it for a spin. So I did just that.
​Design: Exterior
Peak sent me the ash-gray pack, which features leather accents. Too early to tell how this leather will hold up, but it does add a modicum of refinement any way you slice it. The charcoal pack is entirely fabric (sans leather accents).
 
The backpack harness consists of thinly padded shoulder straps, with sternum (chest) strap and waist belt. The ends of the waist belt are hidden in the outside pockets. If you have arthritic fingers, you may have a tough time accessing them – get a friend to help.
 
In addition to the backpack harness, the bag features a handle on each side, as well as on top – nice touch. On the ash bag, the handle is a composite of fabric and leather layers.
 
There are stretchable pockets on the outside hiding compression straps. You can use one pocket and its respective compression strap for a tripod, the other pocket on its own for a water bottle.
 
What gives the side pockets their stretch are elastic bands. I was able to fit a 32 oz. Nalgene water bottle in the pocket, but I fear that over time the elastic may wear and break. (Other straps are hidden away under the front of the bag, in a hidey-hole, so to speak.)
 
There’s also a zipped sleeve, accessible at the top, on the back, which will hold various accessories, a tablet, and laptop.
 
The main zipped flaps afford you entry to the camera section, one zipped flap on each side. And that’s where the story gets especially interesting. You can access the bag through a side flap by swinging the bag around to the front, sling-fashion, while keeping the bag attached to your body via one shoulder strap. This way you won’t have to put the bag down, which is a decided plus when you’re standing in the muck or surrounded by water or snow.
 
But before we look inside, I should also note that there is a stiffened top lid that also leads to the bag’s interior. The top lid has a magnetic closure. There’s no way to lock the bag, although the side zips do provide a modicum of security. Still, most thieves will get at a backpack through the top, not the side, and they’ll have little trouble doing that here in a crowded setting. I would recommend keeping a rain cover on the pack to help keep prying hands out, but, alas, none is provided. That’s another point of contention.
​Design: Interior
The interior of the pack features three, what Peak calls, “FlexFold” dividers, with Velcro-type hook-and-loop fasteners. You position these three dividers as shelves. They can be modified to hold more gear in a somewhat unusual fashion, without adding more dividers: Each shelf end folds upward, forming a mini-shelf. If you’re having trouble picturing it, think of bookends. That’s kind of how they look, if not how they function.
 
It looks and sounds really cool, but here’s the problem…
 
The upshot of this divider system is that you can’t fully customize the interior. For starters, bookending either side leaves less cushioning on the remaining end section of the modified shelf/divider. What’s more, the end sections offer rather flimsy support. It’s even possible for something small to fall over the edge of a shelf, into the gap left between shelf and side flap, since the ends just float there, with nothing to secure them to the sides.
 
On top of that, the FlexFold dividers can’t be repositioned horizontally along the shelf – they’re locked in place at each end. You either use them or you don’t. But you can’t further modify the amount of space devoted to each piece of gear – that is without moving the entire divider up or down. Unless you wrap, say, a lens in soft foam or bubble wrap to keep it snug.
 
With conventional dividers, you can form a virtually unlimited array of shapeable modules, more with some bags than with others. And you can even shape dividers around lenses, so they don’t move, no matter how much jostling they undergo.
 
There’s another drawback to this system. Actually more than one. You can access some gear on the top shelf through the lid, but the rest of the gear must be accessed through one of the side panels.
 
So, what happens if you have one short lens on a mini-shelf on one side of the pack and a second short lens on a mini-shelf on the opposite side? You have to open each flap. And that assumes that you remember where you put which lens. Not to mention, there’s always the possibility of forgetting to close one of the two side flaps that you’ve just opened – unless you open and close them one at a time. (This is where accessing the bag sling-style can actually prove to be more of a bane than a boon.)
 
One more issue I have with this bag. The dividers use a very dense closed-cell foam. Open-cell foam absorbs vibrations and is ideal for dividers when not overly spongy (that Ultimate Experience pack used very spongy open-cell foam). Closed-cell foam is better shock protection, which works great for the exterior shell and to some degree for dividers. (I’ve always contended that a layered mix of open and closed would be the ideal.) The dividers here are so dense that things just bounce off them. So if there’s too much room, a lens will bounce around – and you don’t want that. You want the lens as snug as the proverbial bug in a rug.
 
I should add that there is a way to set this divider system up so that one very long lens can stand on end from the very bottom of the bag, but I found it highly impractical. And again, you’d have to cushion the lens against being bounced around.
 
I also need to point out that the side flaps each have pockets. However, don’t overfill these, as that may get in the way of the gear you can store on each shelf.
In Use
I strongly recommend you view the video on Peak Design’s website outlining all the features of the bag. But read between the lines. It’s not all as smooth-sailing as the video would lead you to believe. (Click here for video.)
 
I’ve already outlined all my issues with the interior design of the pack (see Design: Interior). So no need to repeat myself.
 
I like the magnetic latches, despite the fact that you can’t lock them. But what I don’t like is that the flap is open at either end, which, in a torrential downpour or with gusty winds at the beach, means water or sand will find a way in.
 
The bag desperately needs a rain cover. It was shortsighted of Peak Design not to include one, or at least optionally offer one custom made for this pack. Finding one online that fits just right is just too iffy. Not to mention, third party rain covers advertise some other company. I’d like to think that Peak Design would prefer to promote their own products, not someone else’s.
 
When I tried the empty bag on, it was a comfy fit. And I initially made a point of mentioning that to Peak Design. Fast forward to my experience after I loaded the bag up and the experience was radically different.
 
I found the shoulder straps with a loaded bag dug into my shoulders. To keep straps from sliding off, which is typical of most packs, I employed the sternum (chest) strap. I found this equally uncomfortable. The one-piece chest strap hooks onto each shoulder strap (instead of two pieces snapping together) – sounds simple in theory, more troublesome in practice.
 
Then I added the waist belt. Using a waist belt is supposed to take some of the weight off the shoulders. It didn’t do that. There was no added support whatsoever. And the waist belt is too narrow and neither contoured nor padded.
 
To make matters worse, I noted that, had I been a stockier fellow, the straps would not have fit. This bag is not made for someone with a stocky frame. I also wonder how it would do with layer upon layer upon layer of heavy winter clothing. I didn’t have to dress for winter to figure that one out. It would be a tight fit, if that.
​

​Who Would Use This Backpack?
Novice photographers and photo enthusiasts; this should be a fun pack to use when sightseeing, going to the zoo, or on a nature walk – provided you watch your back(pack) in crowded settings.
 
Capsule Comments
While I may quibble with the overall design of the bag, I still find it fashionable, and on someone else’s shoulders, it may prove to be just the right fit. With the right gear optimally packed, and with a few layers of winter outerwear to cushion the shoulder straps, this would be a good choice, provided you added a rain cover.
MATERIALS per Peak Design
Ultralight waxed Kodra synthetic canvas with DWR coating for weatherproofness, poly-spun mixed twill interior, compression-molded high-density EVA foam dividers and protective panels, die-cast and stamped anodized aluminum hardware with sandblasted finish and protective clear coat. Charcoal bags have Hypalon touchpoints, Ash bags have natural leather touchpoints.
PRODUCT SPECIFICATIONS  per Peak Design
Everyday Backpack 30 (Charcoal or Ash)
Outer Dimensions: 20” H x 13” W x 7.75” D (51 H x 33 W x 20 D cm)
Laptop Sleeve: 16"x10.75"x1.5" (40x27x4cm); designed to carry up to a 15” Macbook Pro Retina, 2009 or later.
Tablet Sleeve: 14" X 9" X 0.4" (33x23x1cm)
Weight: 3.4 lb (1542g)
Carry-on Approved: Carry-on approved for all airlines - fits under airline seat easily (according to the manufacturer)
​Conclusions
I wasn’t overly thrilled by the carrying capacity, how the bag felt on my shoulders, or the weatherproofing. Granted, at first glance, I did find myself falling for this bag – but that was short-lived. Once I started to load the bag with gear, the limits of this divider system became all too apparent. Suffice to say, I have smaller backpacks that will hold more, and do it more securely. I would not use this pack when hiking over uneven and rugged terrain, unless you first secure all your gear snugly.
 
Still, I do feel that Peak Design has a promising design here. I just wish they’d find a more utilitarian way to implement it. Given a few tweaks in the modular dividers, the addition of a rain cover, more heavily padded shoulder straps, the switch to a padded or otherwise more supportive waist belt, and some way to keep prying fingers out, the Everyday Backpack could go far in everyday use, and beyond. For now, I would only take it on short hops sightseeing or on nature walks.
 
What’s more, the design may be too clever. I prefer a bag where I can get at all my camera gear by simply opening one flap. That’s not the case here, requiring you to use multiple access points to get at all your photo gear. You can’t even see what you’ve got without opening both side flaps.
 
In the final analysis, would I recommend this photo backpack? Yes, provided you keep the load light and keep your expectations light as well.

​Where can I get more info
Peak Design
 
Manufacturer (use this link to order):
Peak Design
 
How much is it?
$289.95
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Field Report: Think Tank Photo Signature 13 Shoulder Bag – Elegance and Functionality Combined

4/11/2017

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​There are occasions when even a hard-nosed photo backpack user like myself must resort to a shoulder bag. In these times, sadly, backpacks may be seen as something other than the innocent carriers of your photo gear. There’s even one institution here in Chicago, namely Shedd Aquarium, where I’ve had the unfortunate experience of a security person literally ripping through my MindShift Gear photo pack to gain access, instead of simply using the zippers as intended – or asking me to open the bag. Happily, no harm done, except for some frayed nerves on this side of the inspection table (good thing MindShift uses high-quality hardware that resists such mistreatment). It was more intrusive than past TSA inspections I’d experienced (although maybe not as bad as some recently reported).
 
In the past, I was very happy using my Think Tank Retrospective 5 Leather bag, although over time I’d come to realize the small size was both a boon and a bane, keeping me from carrying too much but often proving too small for anything more than the minimum of gear. Even a 15-30 f/2.8 or 70-300 attached to a DSLR was too much and the 24-70 f/2.8 on the camera just barely made it. So it was time to trade up.
 
Thankfully, the Signature series entered the scene. Here I had a choice between two sizes. And this time I opted for the larger bag for one very good reason: The bag was longer and deeper than the Retrospective, but it still maintained a slim profile. That would remove the temptation to overfill the bag and also meant it would ride comfortably at my side, without bulking out.
 
What’s more, as I was soon to find out, I could shift the bag around to my back when wearing it sling-fashion. Of course, as a shoulder bag, it lends itself nicely to being worn over the shoulder. In fact, this bag is almost perfect. Almost.
Stylish Design
Think Tank seems to have reinvented camera bag fabric when it came to the Signature series. This is a softly textured polyblend with the feel of finely woven wool. Unlike the Retrospective, this bag does not use Velcro-style hook-and-loop fasteners on the outside. In fact, I’d caution you to keep Velcro away from the exterior, as it may ruin that clean look (and, no, I didn’t test it, out of fear of ruining the bag). And if you’re wondering, the bag has been treated with a water-resistant finish. That aside, there is a rain cover included, which came in handy when I found myself pelted in a downpour.
 
Enhancing this bag’s sophisticated appearance are leather accents. Soft leather graces the bottom of the bag. And there is leather on the carrying handle and shoulder strap, as well as the fastener straps. The buckle fasteners are metal, not plastic, further heightening the impression of quality.
 
Advancing the impression that this is a well-crafted bag is this: There is not one stitch out of place, not one loose thread.

The Interior
This is where the Signature bag really shines, for the most part. The entire interior is Velcro-friendly. You can reposition the padded dividers to your heart’s content. Better still, they are more heavily padded than the typical Think Tank dividers. What’s more, the two central dividers are supportive enough to hold a camera upright, with attached lens facing downward. And if you feel you need more dividers, they’re included. I originally put these in storage, since I found the original set of dividers did the job well enough.
 
Two things I did not like about the interior centered on the bottom of the bag. Instead of one contiguous cushioning base, there are two, what are essentially, padded dividers lining the bottom. And the bag lacks a stabilizing bottom platform to help keep the bag’s shape and prevent a sagging bottom, while offering enhanced protection to gear. So, I pulled the three extra padded dividers from storage and lined the bottom of the bag with them. Now the bag is firmer at the base and offers even better protection for my gear.
 
Keep in mind that a soft-sided bag is intended to be pliable. A heavily padded, stiff outer shell would make the bag less convenient to carry. The back of this bag is the most heavily padded, enough so as to cushion you against bumps and practically prevent anything from bulging out intrusively. The front of the bag is more pliable, so keep the top of the camera to the front. That also places the grip on the right, for a quick grab.
 
There is enough room in the Signature 13 for me to keep a BlackRapid sling strap attached to my Nikon D610. BlackRapid straps tend to protrude more than most sling straps when attached to a camera body, which is why it’s worth noting.
 
A couple of more points worth noting. Unlike the Retrospective, the Signature bags feature an interior zippered lid. Keep this zipped when on the move, prior to reaching your destination or when in iffy spots to keep out prying hands.
 
In theory, the top flap fully covers the top of the bag. In practice, the sides bulk out just enough to leave a tiny bit of the interior exposed on each side. Which is why you may want to keep the inner lid zipped when moving about, or in situations where dirt or debris or errant water drops or snowflakes might enter the bag.
 
And speaking of this inner lid. I would have preferred two zippers to make it easier to open and close more rapidly. That aside, Think Tank thoughtfully designed it so that it could be attached to the main flap for quick opening when unzipped. And they’ve added another option: You can tuck the lid inside the bag, so it remains out of the way entirely. I prefer the first approach, since you can leave it attached to the main flap and still zip it open and closed. This inner lid, by the way, is pleated, making room for a lens that may stand taller than would ordinarily be accommodated.
In Use
At the outset, I loved that I had room to store a DSLR with attached lens on a dedicated support system (composed of two sturdy padded dividers, each with an overhang). You can position the overhanging lip facing inward or outward, depending on what you’ll be storing in the modules on either side. Keeping the camera/lens in the center also provided better balance.
 
Another aspect of the bag that I truly admired is the shoulder strap. Conventional shoulder straps use an extra-wide pad that slides all over the place and has to be constantly readjusted.
 
The padded section of the Signature shoulder strap is just wide enough to be comfortable whether worn over the shoulder or sling-fashion. Beyond that, not only is it fixed in place but it also occupies much of the strap. So, you never find yourself having to adjust the shoulder pad. It’s simply there all the time.

Where can I get more info?
Think Tank Photo Signature 13
 
Manufacturer (use this link to order):
Think Tank Photo

How much is it?
$279
Who Should Use This?
Photojournalists, news photographers, documentary photographers; street photographers; travel photographers; pro and consumer alike.
 
Capsule Comments
Thoughtfully designed and fashionable; a thoroughly practical shoulder bag that can just as easily be carried as a sling bag.

Conclusions
For the most part, the bag is easy to use. The interior is fully adjustable. Think Tank has apparently spent considerable time rethinking their divider system, and I believe they’ve hit upon the ultimate solution.
 
I might quibble with one or two design elements, but on the whole Think Tank Photo has taken shoulder bag design to the next level in the Signature series. Even the outer fabric is a masterful touch. In fact, when wearing the bag slung around the back, I found I could bend over and the bag seemed to grip my back without sliding around – a problem ordinarily encountered with other bags. And the zippered inner lid is yet another smart feature.
 
In short, I like this bag so much that I look for opportunities to use it. And, again, keep in mind, it’s the perfect solution where a photo backpack may be verboten. Think Tank will have to really go out of their way to design a bag that would make me want to replace this bag. The Signature 13 is the shoulder bag I’ve been waiting for. Gladly the wait is over.


KEY FEATURES per Think Tank Photo (with my comments in italics)
  • Modern wool-like fabric that is soft to the touch and stands-up to everyday use.
  • Full-grain leather bottom and detailing, plus antique finished metal hardware.
  • Zippered flap provides full closure and security to the main compartment, or tucks away when not in use.
  • Dedicated laptop/tablet compartment: Signature 10 fits a 10” tablet; Signature 13 fits a 13” laptop. (In the Signature 13, you can tuck the tablet in the sleeve dedicated to the inner lid and leave the larger laptop sleeve for a thin notebook.)
  • Secure clasps on front flap with one-handed operation. (Be extra careful with the metal fasteners as they may come in contact with the exposed LCD on back of the camera or with exposed glass when a lens is positioned front end up without a lens cap.)
  • Dedicated phone pocket fits up to an iPhone 6s+ or S7 Edge.
  • Wide handle pass-through for attaching to rolling luggage.
  • Large front pocket for an extra strobe, rain cover or small book.
  • Long, cushioned neoprene shoulder pad positions easily when worn cross-body (sling-style, that is).
  • Zippered front pocket provides security for small items and includes a built-in organizer for pens and business cards. (There’s also a zippered sleeve on the back, where I keep the rain cover for easy access.)
  • Quilted Velex dividers can be customized to fit gear.
  • Shorter dividers can be made into shelves to stack short lenses. (I try to avoid stacking stuff, for easier access.)
  • Dividers and bottom foam can be removed for a completely collapsible bag.
  • Although the bag’s outer fabric is treated with water resistant coating, a seam-sealed rain cover is included for downpour conditions.
 
GEAR CAPACITY per Think Tank Photo (with my comments in italics)
Signature 13
  • 1 standard-size DSLR with mid-range zoom attached plus 2–3 additional lenses. (I was able to squeeze in a D610 with Tamron 70-300mm zoom attached; a flash easily fits in the main section in a fully upright position, with room for one more lens.)
  • 13” laptop fits inside a dedicated compartment
 
Signature  10
  • 1 standard size DSLR with 3–4 prime lenses and accessories
  • A complete Mirrorless camera system with 3–4 lenses and accessories
  • 10” tablet fits inside a dedicated compartment
 
MATERIALS per Think Tank Photo
Exterior: All fabric exterior treated with durable water resistant coating while fabric underside is coated with polyurethane for superior water resistance. The bag also has 240D wool-like 195G nylon/poly blend, full-grain leather, antique-plated metal hardware, highest quality YKK RC-Fuse zippers, 550D polyspun, nylon seatbelt webbing, neoprene, 3-ply bonded nylon thread.


Interior: 210D silver-toned nylon lining, polyurethane-backed quilted Velex liner and dividers, high-density closed-cell foam dividers, 2x polyurethane coated nylon 210T seam-sealed taffeta rain cover, nylon binding, 3-ply bonded nylon thread.
 
PRODUCT SPECIFICATIONS  per Think Tank Photo
Signature 13
  • Internal Dimensions: 13.3” W x 9.1” H x 5.1” D (34 x 23 x 13 cm)
  • Exterior Dimensions: 14.6” W x 10.4” H x 6.3” D (37 x 26.5 x 16 cm)
  • Laptop/Tablet Compartment: 13” W x 9.1” H x 1.2” D (33 x 23 x 3 cm)
  • Weight: 3.1 lbs. (1.4 kg)
 
Signature 10
  • Internal Dimensions: 11.8” W x 7.8” H x 5.1” D (30 x 20 x 13 cm)
  • Exterior Dimensions: 13” W x 9.1” H x 5.9” D (33 x 23 x 15 cm)
  • Tablet Compartment: 11.4” W x 7.8” H x 0.8” D (29 x 20 x 2 cm)
  • Weight: 2.8 lbs. (1.3 kg)
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Field Report: MindShift Gear’s TrailScape 18L – A Trail-worthy Pack for Nature Outings

11/6/2016

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PictureCourtesy MindShift Gear.
The moment I unpacked this photo backpack and unzipped the main flap, I had a sense of déjà vu. I’d seen this bag before.

Then I took a look at my Think Tank Photo StreetWalker and realized where I’d seen this design. 

​The new TrailScape largely mimics the interior of the StreetWalker, or perhaps more correctly the StreetWalker Pro, since the dimensions more closely match that pack. But there are substantive differences. What are they? Read on.

The TrailScape – On the Outside
Gone are the two zippered side pockets found on the StreetWalker. They are wisely replaced by two roomier stretch pockets. Granted, some may lament the loss of these zip pockets, but I always found them a bit too cramped for my taste.
 
Instead, you now have room for a 32-oz. Nalgene water bottle on one side, counterbalanced by your tripod snugly secured by compression straps, with two feet (spikes retracted) resting inside the opposite stretch pocket.
 
On the front, there is a very spacious pocket that will hold a 13” laptop and a 10” tablet, not that I ever carry either into the field. But I do make use of these sleeves for maps, pads, and various accessories. There are also organizer pockets in this section.
 
In front of this large pocket sits another pocket, diminutive by comparison, designed to carry your sunglasses, with a very softly textured fabric lining that shouldn’t scratch. I’ve got a pair of those sunglasses that are so bulbous when closed that they require a custom case. They fit here. But I was so afraid they’d get crushed at some point, that I removed them and put them back in their hard case. In their place went my Giotto’s rocket blower.
 
The zippers run very smoothly. However, I would have preferred contrasting colors for the zipper pulls on the front pocket. Yes, the zip pulls, which are designed to be easily handled with gloves, are smaller on the pocket. But I did manage to grab them by accident. So my solution was to rest them on the side, with the main zips up top. Problem solved.
 
Because this is a trail pack, in contrast to the zips on the StreetWalker, the zippers are not interlocking (for the purpose of inserting a TSA lock). Besides, locking a bag only makes it that much more tempting to those looking to steal it.
 
There are four lash points on the front of the bag, but you’ll have to supply your own rope or bungee cord. If you need to carry stuff inside the front pocket to keep it safe from the elements, you can lash a jacket to the front of the bag. I keep a light jacket inside this pocket.
 
There’s a carrying handle on top – more of a strap, really, coming to rest on the back of the pack. While not nearly as substantial as the one on the StreetWalker, such straps have been used on other packs (I believe also from MindShift or Think Tank), and I’ve never known them to fail. Besides, in contrast to that other bag, this handle doesn’t add to the height of the bag – which could make a difference when you’re trying to squeeze into a tight overhead bin or under a seat. (By the way, if you’re going to carry the pack for any distance, by any means other than fully on your back with both straps, use one of the shoulder straps, not the carrying handle.)
​On the Inside
This pack is not nearly as deep as even the original StreetWalker. What does that mean? Forget about carrying a pro-grip camera, unless you insert it face-up sans lens. That said, my Nikon D610 rides much more secure in this bag, because it’s less of a bouncy house (although, I must admit, I always secure the camera with a Velcro band over the dividers or I’ll seat another divider over the lens for a snug fit).
 
There are plenty of padded dividers. As is, this pack is fitted for a slew of lenses, accessories, and a flash. My dividers never sit in one place for very long, however. That’s the beauty of a customizable system.
 
There are also two mesh pockets inside the front lid for small, chiefly flat items.
 
In Use
The first thing I have to comment on is the backpack harness system and airflow/lumbar padding. In a trail pack, this is of utmost importance for your comfort and safety during long treks, especially over arduous terrain. While this pack is not meant for such outings, by its very nature, still, it’s comforting to know it will stand the test.
 
The harness system on the TrailScape feels better than the one found on the StreetWalker. The straps are wider at the shoulder. The straps on both packs are contoured top to bottom to fit the body nicely, but this one is decidedly a better fit.
 
As with the StreetWalker, the unpadded waist strap is removable. (Keep it inside the bag, or you’ll lose it. Better yet, leave it attached – reattaching can be a chore if you didn’t take notes on how the straps originally attached to the bag).
 
The sternum (chest) strap on the TrailScape is longer and a bit stretchy for larger chests or someone wearing lots of winter layers. On my initial outing, I didn’t find it necessary to use either the waist belt or chest strap. The pack rode comfortably on my back without requiring constant adjustments.
 
By the way, when you first get the pack, it’s important to loosen all straps. Tighten them when the pack is on your back, and adjust them once on the trail.
 
You’re probably thinking that it’s odd this pack doesn’t allow for a hydration bladder, whereas the more compact SidePath, which is essentially an enhanced daypack, will accommodate a bladder. I’m guessing, that, when you start with one basic design, namely the StreetWalker, it would be difficult to create a custom passageway for a drinking tube without destroying the solid fabric of that pack. And frankly, I’m not a fan of bladders, so this doesn’t bother me in the least. If you must use a bladder, MindShift has several alternatives available, currently the rotation 180 packs.
​Who Should Use This?
Hikers and nature enthusiasts.
 
Capsule Comments
Comfortable; protective; durable construction; fully customizable; thoughtfully designed; room for a tripod and full-size water bottle; holds a small laptop and tablet; room in outside pocket for a jacket; won’t accommodate a hydration bladder (important only if you prefer this method of hydration).
 
Conclusions
Despite being built on the framework of the Think Tank StreetWalker or StreetWalker Pro, the TrailScape has a number of useful features that stand it apart from it progenitors. Essentially, this is a trail pack, not a city-slicker pack.

You can, of course, wear the TrailScape around town. Compared to many of MindShift’s other trailworthy packs, this one has a more manageable footprint. That makes it easier to maneuver in tight spaces while wearing the pack, such as crowds and public transit.
 
What most recommends this pack is the harness system. While I didn’t load the pack to capacity, walking around with it on my back never felt like a burden. The shoulder straps kept the bag in place without digging into my shoulders – and, I should point out, I was only wearing a t-shirt and photo vest (sans epaulets).
 
So, in my book, this one’s a keeper. I know, I’ve said that before about bags I’ve later given away. But as new bags arrive, one has to make room. For now, this TrailScape 18L is the perfect size for my outings when I need to carry several lenses, with one attached to the camera, along with a flash, various accessories, and a light jacket.
 
The only thing on my wish list for this bag: a snazzier design. The exterior is a bit bland. Why stop with basic black? I would really love to see some camouflage patterns on MindShift bags – say on the order of Mojave Desert and Amazon Rainforest. Something to think about, guys.

Where can I get more info?
MindShift Gear (order direct).
 
Manufacturer (ordering info):
MindShift Gear
 
How much is it?
$169.99
FEATURES (per MindShift Gear)
  • Dedicated quick access smartphone/sunglasses pocket
  • Tripod/monopod/hiking pole mounting system on sides
  • Two large water bottle pockets with cinch cord
  • Seamless rain cover included for downpour conditions
  • Side compression straps for additional lash points
  • Adjustable dividers to customize the interior for DSLR or mirrorless kit
  • Interior zippered pockets for batteries, cards, filters and other accessories
  • Easy-grip zipper pulls for wet or cold conditions
  • Organizer pockets for pens, flashlight and business cards
GEAR CAPACITY (per MindShift Gear)
  • Holds 1 standard-size DSLR and 4 to 6 standard zoom lenses
  • Holds 2 large mirrorless bodies and 5 to 7 lenses plus a flash
  • Maximum lens size: 300mm f/2.8
Examples:
  • Nikon D810 with 70-200mm f/2.8 attached to a body and the hood in the shooting position and 2-3 additional lenses
  • Canon 5DMIII with 24-70mm f/2.8 attached and 4-6 additional lenses
  • Sony a7mII with 70-200mm f/4 attached and 5-6 additional lenses
 
MATERIALS (per MindShift Gear)
Exterior: For superior water resistance, all exterior fabric has a durable water-repellant coating, plus a polyurethane coating on the underside of the fabric. The backpack also features the highest-quality abrasion-resistant YKK® RC zippers, 420D velocity nylon, 600D poly, 320G DuraStretch mesh, 350G airmesh, nylon webbing, and 3-ply bonded nylon thread.
​
Interior: P200D lining, high-density nylex with stiffened backing, hexa-mesh pockets, high-density closed-cell foam, PE board reinforcement, and 3-ply bonded nylon thread.
 
SPECIFICATIONS (per MindShift Gear)
  • Exterior: 9.8” W x 18.1” H x 7.1” D (25 × 46 × 18 cm)
  • Interior: 9.4” W x 17.3” H x 4.8” D (24 × 44 × 12 cm)
  • Laptop: 8.9” W x 14.2” H x 1.2” D (22.7 × 36 × 3 cm)
  • Tablet: 8.5” W x 9.8” H x 0.8” D (21.5 × 25 × 2 cm)
  • Weight: 2.8 lbs. (1.3 kg)
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Field Report: SidePath Photo Backpack for Fun Outings and Short Hikes with Your Camera

10/26/2016

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PicturePhoto courtesy MindShift Gear.
MindShift Gear first came on the scene with rough-and-tumble photo backpacks. If you wanted to go into the wilderness with your camera gear, this was the way to go.

But with time, the company has mellowed in its direction, it seems, and has started producing photo backpacks with more mass appeal. Is this a good or bad thing? Well, it depends on which side of the fence you’re leaning.

I, for one, like some of the more city-slicker-oriented designs for those of us who don’t spend days trekking into the great outdoors. But, then again, I lament that the company feels a need to trim down their packs at the expense of all-around utility.

​Enter the SidePath.


The SidePath – On the Outside
Don’t get me wrong. When it comes to materials and workmanship, MindShift doesn’t skimp. Granted, a bag such as the SidePath doesn’t share the same go-anywhere body of this company’s heftier backpacks. After all, this bag was designed to be light on your back for light hikes, walks around town, and sightseeing. Toward that end, the materials are also lighter weight.
 
Where I feel MindShift has gone wrong with this lightweight pack is in the shoulder straps. They may be comfortable over several layers of clothing, but, as the day wears on, you may begin to feel it, especially if all you’re wearing is a t-shirt under those straps.
 
OK, granted, I did go ga-ga over the previous lightweight pack, the UltraLight. And I had used that bag for much of the year. But over time, I did notice a difference, especially after testing Think Tank Photo’s ShapeShifter V2.0 and MindShift’s Moose Peterson V2.0, with their heftier, more substantial backpack harness systems. And that made me long for those stockier backpacks.
 
But, then again, I’m a stocky person. Someone with a more slender frame will likely appreciate and prefer the lighter-weight of the SidePath. And, by extension, would be very happy with the existing shoulder harness.

​On the Inside
This is a twin-tier design. That means that there’s a roomy upper compartment and a lower level. Traditionally, the lower level is where camera gear goes. Which is the case here. So you can expect the required padding and the customizable interior.
 
The upper level is where your personal stuff goes. It has a tent-like zipper flap. The front flap has an inside mesh pocket, which is quite spacious. There’s also a thinly padded sleeve to hold a tablet. Alternately, you can fit a hydration bladder in this sleeve. I personally avoid inserting a hydration reservoir inside a pack, for fear of leakage.

In Use
I spent several hours on a nature hike in the woods on a chilly Illinois day, so I was wearing a photo vest and light jacket. With this outerwear, the bag felt comfy enough and the straps didn’t need constant adjustment, pretty much staying in place on my shoulders. Which is a good thing. I really dislike the annoyance of adjusting shoulder straps every few minutes.
 
Since I was carrying my Nikon D610 with Tamron 70-300mm zoom attached for grab-and-go shooting, I had to remove the dividers and store them for later use, setting up one divider in this compartment to hold lens and body caps or other small items (to the right of the lens, which also helped keep the lens from shifting position). With a SpiderPro Hand Strap and 70mm BlackRapid QR plate (for the BlackRapid sling strap) attached to the camera, it was a snug fit, but manageable. On the plus side, that meant the camera wouldn’t be bouncing around. Later on I realized that my sling strap would also fit in here, making for an even tighter fit.
 
Originally I’d kept the strap in the upper section. That section also held a Tamron 90mm macro in a MindShift Lens Switch Case (which I’d customized with my own padded dividers), the Nikon SB-700 flash (in its original soft case), and some odds and ends. All that pretty much precluded squeezing in a light jacket, but a rain poncho would be no problem.
 
One important note: access to camera gear is via the back of the pack. That means that the access panel rests against your back and away from potentially prying hands. Nice touch. It also means, you don’t want to noticeably bulk out this section. The bag should rest flush and comfy on your back. Adjust the straps so the bag ends at your lower back, with the lumbar pad (in this case, the padded camera section lid) resting against your lumbar region.
 
You can attach a lightweight tripod to either side using one of the stretch pockets. I personally didn’t carry a tripod attached to this bag. Really, it didn’t feel like a natural fit, although in testing after my nature walk, I was able to attach my compact 2.5-lb. Sirui with an Acratech head attached.

The outer stretch pockets were too tight for any of my water bottles, so I used one of the lash points on the shoulder harness to attach a water bottle (as well as a small LED flashlight). That worked out even better, giving me quicker access to these items. Had I stowed smaller gear in the camera section, it likely would have afforded more room for that water bottle. But with a long lens attached, no way that was happening.
 
One thing I hadn’t noticed when I requested the bag for review. There’s no waist belt. There is a sternum (chest) strap, however. Did I notice? Nope. I didn’t even bother using the chest strap – simply, no need. As I said, the shoulder straps remained in place and the load didn’t shift as I moved around or bent over. So, despite my earlier complaints, the shoulder harness did do its job, and quite nicely, I might add.
FEATURES (per MindShift Gear)
  • Soft-sided design looks like a daypack and not a bulky camera bag
  • Integrated tripod/monopod/trekking pole mounting system on sides
  • Two oversized stretch water bottle pockets
  • Fits a DSLR, compact DSLR, and Mirrorless camera systems
  • Adjustable dividers enable multiple camera case configurations
  • Seam-sealed rain cover included for downpour conditions
  • High quality YKK zippers, 420D high-density nylon with reinforced stress points for long lasting durability and strength
  • Zippered interior pocket to organize small items
  • Highly breathable three-layer shoulder straps for all day comfort
 
GEAR CAPACITY (per MindShift Gear)
  • Holds 1 large (un-gripped) Mirrorless body and 1-2 standard zoom lenses or primes
  • Holds 1 compact DSLR (Rebel, 3300 or 5300 series) and 1-2 lenses
  • Holds 1 DSLR (5DMIII or D750) with 1 standard zoom or 2 primes
  • Fits up to a 10” tablet
  • 8 liters of capacity for personal gear
  • Maximum lens size: DSLR: 24-70mm f/2.8 attached to a D750 or 6D

MATERIALS (per MindShift Gear)
Exterior: For superior water resistance, all exterior fabric has a durable water-repellant coating, plus the underside of the fabric has a polyurethane coating. The backpack also has high-quality YKK RC-zippers, 420D Velocity nylon, 600D poly, 320G UltraStretch mesh, 350G airmesh, nylon webbing, 3-ply bonded nylon thread.
 
Interior: 200D poly, high-density nylex, high-density closed-cell foam, 3-ply bonded nylon thread.
 
SPECIFICATIONS (per MindShift Gear)
  • External Dimensions:  10.6” W x 19” H x 5.9” D (26 x 47 x 15 cm)
  • Camera Compartment: 9.1” W x 6.7” H x 5.5” D (24 x 15 x 14 cm)
  • Tablet Slot: 8.3” W x 9.8” H x 0.6” D (22 x 25 x 2 cm)
  • Total Volume: 14L
  • Weight: 1.6 lbs (0.7 kg) (includes rain cover)

Where can I get more info?
MindShift Gear (order direct).

Manufacturer (ordering info):
MindShift Gear
​ 
How much is it?
$99.99 (available in Cardinal Red or Charcoal)​


​Who Should Use This?
Anyone out for a light hike, a walk around town, or sightseeing, or simply enjoying a fun outing with friends and family.

Capsule Comments
Despite my complaints about the lack of padding in the shoulder straps, they did manage to do a nice job. I would have liked a roomier top section, so I could fit a jacket in there with my extra gear, but I’m sure I could find a way to do that when push comes to shove. The lower section was a perfect size for my D610 and attached 70-300mm zoom. Alternatively, it would also carry my D610 with Tamron 15-30mm f/2.8 attached just as snugly. If you don’t mind carrying camera body and lenses separately, you could fit more gear in here, provided none of the lenses were long or of wide girth.
 
Conclusions
I found myself liking this bag. Of course, when MindShift sends over their TrailScape, I may shift my attention to that roomier bag. Still, the SidePath does have a place among my other packs, but, more importantly, on my back. It’s compact, lightweight, and is the perfect solution for a day out with my camera.
 
Still, MindShift, you might consider coming out with a slightly larger version, with a heftier shoulder harness. That would be my perfect bag for sauntering about town.
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Field Report: Shape Shifter 17 V2.0 Photo Backpack – The Street Photographer’s Dream Pack

8/28/2016

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PictureThink Tank Photo's new Shape Shifter V2.0 series. Photo courtesy Think Tank Photo.
​Until now, my favorite photo backpack from Think Tank Photo was the StreetWalker. The original StreetWalker is compact enough to make it onboard practically any flight as a personal item, if you play your cards right. The Shape Shifter V2.0 might not make it as a personal item, but it will certainly fit in the overhead. Of course, you should check with your preferred airline prior to each flight, as carry-on regulations can change at a moment’s notice.
 
What sets the Shape Shifter apart from other packs is its morphing design. It starts out with a tapered look, but unzip the bag and it expands to hold your gear, going from 3 inches in depth to 7 inches. Apart from that, the bag wears just like any photo backpack.

An In-Depth Look: Let’s Start Outside
The Shape Shifter V2.0 has what’s needed for a comfortable hike or walk around town. Namely, it begins with contoured shoulder harness, sternum (chest) strap, and waist belt.
 
The included waist belt is not padded, but it works fine. It’s not removable in the usual sense, as it lacks clips. On the other hand, it can be removed with some effort. However, if you lift up the hook-and-loop-fastened bottom flap (which is padded to protect the bag at the bottom), you’ll reveal a hideaway behind the lumbar pad. If you don’t use the waist belt, then tuck it away. If you remove it, you can replace it with the padded Pro Speed Belt V2.0 (Think Tank, $41.75 - make sure to order in the right size). Instructions come with the pack for replacing the waist belt. The Pro Speed Belt is designed to carry extra gear, courtesy of the numerous attachment loops on the belt.
 
The back of the pack is comfortably padded, with an airflow design that makes it breathable. The shoulder straps are similarly configured to be breathable. And while the pack doesn’t have side compression straps normally found on outdoor packs, it does benefit from shoulder compression straps for a more personal fit. Another nice thing: the shoulder straps didn’t slip off my shoulders, which such straps have a tendency to do. That meant I didn’t have to use the chest strap, although to be thorough, I did carry the bag with all straps attached. It was a comfortable arrangement.
 
The main compartment has a single zipper. All other zippers are paired, and many are lockable.

If you want to use the pack as a daypack, for clothing and travel essentials, then you’d do best getting the Naked Shape Shifter. I would imagine that you could easily use the Naked Shape Shifter as a weekend getaway pack without adding any pouches. The Naked Shape Shifter is essentially the same pack as the one I tested, minus the sewn-in accoutrements.
 
Each Shape Shifter pack comes with a removable mesh water bottle pocket on the outside. I don’t know about the 15-inch Shape Shifter, but the pouch on the 17-inch version is large enough to easily hold my 32-ounce Nalgene. And the mesh means that condensation on the bottle’s exterior will be able to evaporate without the water forming puddles.
 
Before we open the pack, I did want to point out that the bag is surprisingly heavy, considering it lacks the usually dense padding inside and on the front and sides. But that’s also a sign of solid construction. As mentioned, the back is fully padded.
 
When expanded, the bag reveals an unpadded nylon shell along the top and sides. For this reason alone, I’d hesitate to take this pack on a strenuous outdoor hike where a backpack might be knocked about. But then again, that was never the design for this bag. It can easily take some jostling on a crowded bus or subway car.
​Plenty of Pockets
One reason to love this bag: there are lots of pockets. First, there are 3 roomy pockets inside the front lid. Now move to the outside of the bag and you’ll find an abundance of pockets. For starters, there’s a padded sleeve that will hold a 17-inch laptop, along with a tablet in a separate padded sleeve – all in a section immediately to the rear of the main section. If you don’t carry a laptop, stick a jacket in here, or maps.
 
There’s a separate semi-padded tablet sleeve on the front of the bag. In fact, this sleeve offers protection for the camera gear, given the padding. I stuck the included rain pouch in a small upper outer pocket for additional padding from the front. There’s also an organizer pocket.
 
There’s even a pocket to hold the tripod legs, when carrying the tripod over the front of the bag (actually, this is the only way to carry a pod with this bag). That pocket can also be used for other stuff, since the included tripod straps should hold a lightweight tripod securely top and bottom (tripod straps included).
 
On the Inside
The expanded bag is deep enough to hold my rather girthy Tamron 15-30mm f/2.8. However, the bag is not really designed to hold a camera with attached lens, and for me that was originally the deal-breaker when Think Tank first introduced the original Shape Shifter. I prefer keeping one lens attached to the camera, so I can be ready to shoot at a moment’s notice. Still, not all situations require your camera to be constantly at the ready, and I was willing to give this a shot. And having said that, the new neoprene wrap may fit a body with a compact lens attached. I just didn’t feel it was worth the effort, since I’d have to swap lenses once I’d reached my destination.
 
In addition to the wrap, there are 4 pockets of varying size. I fit a Tamron 70-300mm zoom, Tamron 15-30mm f/2.8, and Nikon SB-700 flash in the pockets, with my Nikon D610 going inside the wrap. I still had one pocket available. I added a small padded divider to the bottom of the lowermost pocket to further pad that lens against bumps in the event I set the pack down a bit too hard. I would have done likewise with the other lower pocket had I used it. There was also room for a sling strap. If you have small lenses, simply wrap them well and double up to take advantage of the available room. Or if you stack them, add an unused padded divider or other padding between them. These pouches may be sewn in place, but they still leave room for some astute arrangements.
 
The 17-inch standard version leaves you plenty of room to throw in a jacket and some other stuff. And despite what you’re told in the introductory video on the Shape Shifter page, never ever put a water bottle inside a camera bag. And don’t put food inside the neoprene pockets, or you may find crumbs mixing with your lenses – a bad combination. For that matter, I wouldn’t put food anywhere inside the bag if you’re carrying camera gear—accidents do happen, and you wouldn’t want your trail mix mingling with your camera and lenses.
 
In Use
Working out of the bag was a charm. Granted, I still would have preferred to be able to use the bag with camera and my lens of choice attached, but I easily worked around that.
 
This bag comes in really handy if you don’t like to carry too much gear. You can still fit a second camera body in the pack, in place of one lens. But all in all, the gear carried is modest in scope and size. No really long, fast lenses here. This is a pack geared toward a DSLR, with or without grip. Most mirrorless systems will be swimming in the available space.
 
One recommendation. It’s very easy to forget to zip a bag or pocket. One solution is to standardize on how you employ the zippers. For faster access, the left and right zippers should meet at the apex or middle. When it rains, I tend to move them to one side. In other words, I keep all the zippers either centered or on the same side, so a quick glance can tell me that everything is secure. By the way, a rain pouch is included, but I use these only during a downpour. You shouldn’t need it in a light rain.
​Who Should Use This?
DSLR photographers, street photographers, photojournalists, documentary photographers, travel photographers, nature photographers with modest-size lenses.
 
Capsule Comments
Sturdy construction, but without the heavy padding associated with most photo backpacks; neoprene pockets replace the traditional modular, padded interior; a bit on the hefty side, but not uncomfortably so; comfy to wear and shoulder harness stays in place, not sliding off; comes with chest strap and simple unpadded waist belt, both of which work well.
 
Conclusions
I’m not exactly sure why you’d want to compress the bag, except when storing it empty in a closet. That aside, I’ve done a full 180 in my view of this bag. Originally I wasn’t too keen on the neoprene pockets, but now that I’ve actually used the bag, I see nothing wrong with them.
 
Oddly enough, you’d think the neoprene would make this bag a featherweight, but there is actually considerable heft to the bag, thanks in large measure to the fully padded back panel and shoulder harness, both designed for your comfort while touring your favorite city or on short nature hikes over mild terrain. The pack is not designed as a rough-and-tumble hiking pack, but in the city it certainly passes muster.
Where can I get more info?
Click this link.

Manufacturer:
Think Tank Photo
 
How much is it?
$279.75/Shape Shifter 17 V2.0

KEY FEATURES (per Think Tank Photo)
Shape Shifter 15 V2.0 & 17 V2.0 (17 V2.0 tested)
  • A great travel bag with extra space to fit a jacket, food, or additional gear
  • Tripod attachment on front of bag keeps tripod weight centered and allows access to gear without detaching the tripod
  • Easily accessible, plush pocket fits smartphones with displays up to 5.5”
  • Roller handle pass-through sleeve to attach to rolling luggage
  • Detachable water bottle pouch
  • Pro Speed Belt or Thin Skin Belt (sold separately) can be attached
  • Contoured shoulder harness with air channel for all body types
  • YKK RC-Fuse zippers with lockable sliders (lock not included)
  • Upper front pocket with organizer for accessories
  • Lower front pocket with zippered pocket for accessories
  • Removable waist belt
  • Shoulder harness pockets, D-Rings, and sternum strap
  • Seam-sealed rain cover included
Note: Naked Shape Shifter comes without neoprene pockets (they’re optional).
MATERIALS (Think Tank specs)
Exterior: For superior water-resistance, all exterior fabric has a durable water-repellant (DWR) coating, plus the underside of the fabric has a polyurethane coating. The bag also has 600D twill, YKK® RC zippers, 320g dry-flow airmesh, nylon webbing, 3-ply bonded nylon thread.
 
Interior: Removable closed-cell foam dividers, polyurethane backed liner and dividers, 200D polyester, laminated non-woven backed nylex liner, 2x polyurethane coated nylon 190T seam-sealed taffeta rain cover, 3-ply bonded nylon thread.

SPECIFICATIONS (per Think Tank Photo)
Shape Shifter 17 V2.0 (bag tested)
  • Exterior Dimensions When Expanded: 20” H x 12.5” W x 7” D” (51 x 32 x 18 cm)
  • Exterior Dimensions When Compressed: 20” H x 12.5 W” x 3” D (51 x 32 x 8 cm)
  • Laptop Compartment Dimensions: 19” H x 12” W x 1.5” D (48 x 30.5 x 4 cm)
  • Tablet Compartment: 10.2” W x 12.2” H x 0.6” D (26 x 31 x 1.5 cm)
  • Smart Phone/Glasses Pocket: 7.1” W x 4.7” H x 1.6” D (18 x 12 x 2 cm)
  • Weight (with all accessories): 4.6 lbs. (2.1kg)
 
Shape Shifter 15 V2.0 
  • Exterior Dimensions When Expanded: 18.9” H x 12” W x 7” D” (48 x 30.5 x 18 cm)
  • Exterior Dimensions When Compressed: 18.9” H x 12” W x 3” D (48 x 30.5 x 8 cm)
  • Laptop Compartment Dimensions: 16.8” H x 11.4” W x 1.5” D (42.7 x 29 x 4 cm)
  • Tablet Compartment: 9.4” W x 12.2” H x 0.6” D (24 x 31 x 1.5 cm)
  • Smart Phone/Glasses Pocket: 6.7” W x 4.5” H x 1.6” D (17 x 11.5 x 2 cm)
  • Weight (with all accessories): 4.3 lbs. (2 kg)
 
Naked Shape Shifter 17 V2.0
  • Exterior Dimensions When Expanded: 20” H x 12.5” W x 7” D” (51 x 32 x 18 cm)
  • Exterior Dimensions When Compressed: 20” H x 12.5 W” x 3” D (51 x 32 x 8 cm)
  • Laptop Compartment Dimensions: 19” H x 12” W x 1.5” D (48 x 30.5 x 4 cm)
  • Tablet Compartment: 10.2” W x 12.2” H x 0.6” D (26 x 31 x 1.5 cm)
  • Smart Phone/Glasses Pocket: 7.1” W x 4.7” H x 1.6” D (18 x 12 x 2 cm)
  • Weight (with all accessories): 3.8 lbs. (1.7 kg)
GEAR CAPACITY (Think Tank specs)
Shape Shifter® 17 V2.0 (bag tested)
  • Holds a 17” laptop, tablet up to a 12” or 13”, plus one to two DSLRs (gripped or un-gripped) and three to four lenses (detached) and personal items
 
Shape Shifter® 15 V2.0 
  • Holds a 15” laptop, tablet up to a 12” or 13”, plus one DSLR (gripped or un-gripped) and three lenses (detached) and personal items
 
Naked Shape Shifter 17 V2.0 
  • Holds a 17” laptop, tablet up to a 12” or 13”, plus four to seven modular pouches or lens changers and personal items

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Field Report: Moose Peterson MP-3 V2.0 Photo Backpack for Wildlife Photographers

7/24/2016

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Picture
Courtesy MindShift Gear.
​The Moose Peterson MP-3 V2.0 photo backpack marks a departure for MindShift Gear in two respects. First, MindShift doesn’t normally take on camera bags designed and previously marketed by a third party. And, second, the interior is different from anything MindShift has offered before now. The first marks a prudent step toward expansion, which, in today’s world, makes economic and business sense for a forward-thinking company. The second signifies a long-awaited and highly significant step toward making MindShift products more user-friendly and utilitarian.
 
As you may have figured out, this pack is the baby of wildlife photographer Moose Peterson--for wildlife photographers. It’s a vast improvement over the original Moose Peterson pack, which I’d reviewed some years back for a major photo magazine. And it stands head-and-shoulders above a similar design from another camera bag company. In fact, even hinting at any similarity is an insult to the Moose pack.
PictureJust a few of the possible layouts for a mix of gear that's ready for any eventuality. Courtesy MindShift Gear.
​An Inside Look
Professional wildlife photographers use long, fast lenses. These lenses are, by and large (no pun intended), ginormous. But many photo backpacks are not designed to easily hold them, without sacrificing much, if not all, of the available space, leaving little room for anything else.
 
What makes this bag eminently suited to this pursuit is its tripartite design. The longest compartment is specifically designed around a long, fast lens attached to the camera or an even physically bigger lens on its own. Two smaller sections house the camera (when detached from the lens), along with a second body and even a third, several additional lenses, converters, a shoe-mount or two, and filters. When the main section is not fully occupied, there’s plenty of room for other gear. In fact, whichever size Moose pack you buy, it will comfortably hold at least one body with pro-grip, with lens attached.
 
Each item of gear is securely nestled in place thanks to the thick but flexible Velcro-friendly dividers—a serious departure from the dividers MindShift has been using in its other packs, and a welcome change. The new dividers let you customize the interior almost infinitely, with various-sized sections. The new dividers also do a better job of hugging and grabbing your stuff so it doesn’t slide around, or out of the bag, should you open it while it’s in an upright position. All this is safely contained within a fairly rigid, padded wall that encompasses the pack.
 
Protecting everything at the front end are three separate zipped access panels, which are padded. What’s noteworthy about these panels is that, rather than remaining open and exposing the contents to the elements, they drop back down. Just make sure to zip the panels shut before donning the pack. What would have made this even sweeter is if MindShift would have used the magnetic-locking clips, similar to the ones used on the Rotation packs, so the panels would stay closed. Then again, someone might see that as an encumbrance to quickly getting into the bag.

​Is It Perfect?
This pack will also hold a tripod over the large front panel or on the side, using the mesh pocket. However, I’m sure you’d rather reserve this sizable pocket for a large Nalgene water bottle. Either way, it’s a workable arrangement.
 
There’s no space for a hydration pack. In fact, as comfy as the bag is to wear, it’s best use comes from taking short hops away from your vehicle or traversing mild terrain. It’s too bulky to negotiate tight spaces. Still, I’m pretty sure you don’t plan to use this bag on long, arduous hikes over treacherous terrain or to scale steep slopes. And even if you did, feel assured that the bag will remain steadfastly on your back.
 
There’s no room for lunch, a jacket, rain poncho, first aid kit, guide books, and other hiker essentials, unless you want to clear out a section of gear. A spacious front pocket or upper tier, where stuff like this goes, is lacking. There is a small pocket on top, where you can store filters, lens tissue, and the like, plus mesh pockets inside each flap, but none of these is well-suited to a sandwich or a change of clothes.
 
The Moose pack is perfectly suited as a bag you’d want to work out of. The self-closing flaps help toward that end. When laid flat, the pack serves as the perfect workspace. And it’s designed to keep you well organized. To say that this pack is thoughtfully designed would be an understatement. 
PictureA few more possible layouts to prepare you for any situation. Courtesy MindShift Gear.
​In Use
I loaded the bag up with about 25 pounds of gear. I don’t usually carry this much gear around and dreaded the thought. Still, once I got over the shock of how heavy it felt when I first picked it up (before actually weighing the load), after donning the pack, I must say that it felt good. In fact, I’d noted that the shoulder straps didn’t slide off my shoulders. Sliding shoulder straps are a big bane on most backpacks. Still, to make carrying this load even easier, I cinched the included waist belt and sternum strap. The shoulder straps, by the way, are well padded to handle the load, as well as contoured and breathable for a comfy ride.
​
I should point out that the waist belt, while included, does not come attached to the bag. Slide it through the lumbar pad on back of the pack. You’ll note that the strap has two hook-and-loop strips. They attach to their counterpart on the inside of the lumbar pad, so make sure to insert the strap properly (the breathable mesh goes against your waist). The tapered waist strap is thin enough to be easily stored out of the way when not in use, but ample enough to give you the needed support and comfort.

You’ll note that there are no compression straps anywhere. They’re not really needed. Compression straps are required on bags designed for arduous hikes and backpacking. But to protect the zippers, at least around the circumference of the bag, there is a narrow rain flap, just wide enough to do the job, not too wide that it gets in the way.

Speaking of straps, I almost forgot to mention a few things. First, there are two padded carry handles – one on top, another on the side, so you can carry the bag like a suitcase.  While I haven’t had the opportunity to test it out, the bag’s squarish design makes it well-suited for overhead stowage on most airlines. And to further your efforts toward that end, the shoulder straps tuck neatly behind the airflow shoulder pads that lie against your back. (In fact, that’s how the bag is delivered to you.) Also, you can wrap the waist belt and secure it in front, to maintain the bag’s svelte lines.

On the face of it, this Moose pack looks like a piece of handsomely crafted luggage. In fact, the pack appears so innocuous that there’s nothing about it that even remotely screams camera bag. Well, if you don’t count the tripod hanging in front…


​Who Should Use This?
Wildlife photographers, hikers, nature enthusiasts.
 
Capsule Comments
Built tough and structurally sound; comfy; holds a lot of gear, including a long, fast lens attached to the camera; keeps gear safe and even more secure thanks to new padded divider system; three fully customizable compartments make it easy to stay on top of your gear.
 
Conclusions
This new version is a big step up from the original Moose Peterson backpack. It’s easily superior to a well-known competitor’s pack with the butterfly-wing design (based on my latest experience with that pack). And, if you’re a wildlife photographer, you shouldn’t even be thinking twice about getting this bag. Buying it should be a no-brainer.
 
I especially appreciate the new interior, which is a change of pace for MindShift. And the three separate compartments let you allocate your gear in terms of importance. Or keep one set of camera gear for wildlife in one section, another for macro in the second compartment, and a third with wide-angle lenses for landscapes—three outfits ready to go at a moment’s notice.
 
This pack will hold practically everything you need, short of snacks and a rain poncho. But the photographer’s vest you’ll likely be wearing will take care of that. Okay, this pack won’t hold a laptop or even a tablet, but how important is that? And if you’re overnighting, chances are you’re carrying more bags besides your camera gear, so don’t make the tablet or laptop the deciding factor. Consider the Moose Peterson backpack as a long-term investment and you won’t go wrong.
Manufacturer (ordering info):
MindShift Gear
​KEY FEATURES (per MindShift Gear)
  • Original 1998 ‘Moose Ears’ design with auto-close compartment flaps protect the interior from dust, spray, wind, etc.
  • Three-compartment system allows you to keep lenses attached providing the quickest way to access gear
  • Tuck-away harness system with removable waist belt easily allows you to streamline your bag when loading it in a train, plane, or automobile (MP-1 & MP-3 only)
  • Sized for carry-on, allowing you to get the maximum amount of gear on the plane
  • Long glass carrying solution with body attached
  • Tripod/monopod mounting system on side and front
  • Flap guard protects front zippers
  • Highest quality RC Fuse YKK zippers, 600D and 420D nylon construction for long-lasting durability and strength
  • Dual-density foam padded shoulder harness, cushioned with air mesh
  • Zippered side pockets fit full-sized flashes (MP-7 only)
  • Stretch water bottle pocket fits 32 oz. water bottle
  • Robust zipper pulls are easily gripped with or without gloves
  • Seam-sealed rain cover/drop cloth included protects against rain and dust


GEAR CAPACITY (Mfr. specifications)
 
Moose Peterson MP-3 V2.0 (tested)
  • 3 gripped DSLRs with lenses attached, 1–2 additional lenses and 1–2 flashes and accessories
  • Or, 3 gripped bodies and 1 ungripped body detached from lenses, 4–5 standard zoom lenses, 1–2 flashes, a 2x teleconverter and accessories
  • Maximum lens size: Holds 600mm f/4 detached or 500mm f/4 lens attached to a gripped body
 
Moose Peterson MP-1 V2.0
  • 3 gripped DSLRs with lenses attached,3–5 additional lenses, 2x teleconverter,1–2 flashes and accessories
  • Or, 3 gripped bodies and 1 ungripped body detached from lenses, 7–8 standard zoom lenses, 1–2 flashes, a 2x teleconverter and accessories
  • Maximum lens size: Holds 800mm detached
 
Moose Peterson MP-7 V2.0
  • Holds 1 gripped body attached to 70–200mm f/2.8 and two ungripped bodies with primes attached, two flashes and accessories
  • Or, holds 1 gripped body and one ungripped body with 70–200mm f/2.8, 24–70mm f/2.8, 14–24mm f/2.8 (or 16–35mm f/2.8), a 2x teleconverter, two flashes and accessories
  • Maximum lens size: 200mm f/2 attached to a gripped body
MANUFACTURER SPECIFICATIONS
 
Moose Peterson MP-3 V2.0 (tested)
  • External Dimensions: 14” W x 20” H x 8” D (35.5 x 50.8 x 20.3 c m)
  • Large Camera Compartment: 6.8” W x 18” H x 6.8” D (17.3 x 46 x 17.3 cm)
  • Small Camera Compartments (each): 6” W x 8.5” H x 6.8” D (15 x 21.5 x 17.3 cm)
  • Weight: 3.2–4.6 lbs. (1.5–2.1 kg) (Lower weight excludes all dividers and accessories)
 
Moose Peterson MP-1 V2.0
  • External Dimensions: 14” W x 23” H x 8” D (35.5 x 58.4 x 20.3 c m)
  • Large Camera Compartment: 6.8” W x 21.8” H x 6.8” D (17.3 x 55. 4 x 17.3 cm)
  • Small Camera Compartments (each): 6” W x 10” H x 6.75” D (15 x 25 x 17 cm)
  • Weight: 3.7–5.1 lbs. (1.7–2.3 kg) (Lower weight excludes all dividers and accessories)
 
Moose Peterson MP-7 V2.0
  • External Dimensions: 15” W x 15.5” H x 8” D (38.1 x 39.4 x 20.3 cm)
  • Large Camera Compartment: 5.3” W x 14” H x 6.5” D (13.5 x 35.5 x 16.5 cm)
  • Small Camera Compartments (each): 5” W x 6.3” H x 6.5” D (12.5 x 16 x 16.5 cm)
  • Weight: 2.5–3.3 lbs. (1.1–1.5 kg) (Lower weight excludes all dividers and accessories)

​MATERIALS​ (Mfr. specifications)
Exterior: For superior water resistance, all exterior fabric has a durable water-repellant coating, plus the underside of the fabric has a polyurethane coating. The bag also features highest-quality abrasion-resistant YKK® RC-Fuse zippers, 420D velocity nylon, 600D polyester, 1680D ballistic nylon, 320G DuraStretch mesh, nylon webbing, 350G airmesh, nylon webbing, 3-ply bonded nylon thread.
 
Interior: High-density velex, 210D silver-toned nylon lining, hexa mesh pockets, high-density closed-cell foam, 3-ply bonded nylon thread.
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Field Report: MindShift Gear’s Multi-Mount Holster 50 – When a Regular Shoulder Bag Just Won’t Do

7/14/2016

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PictureMindShift Gear's Multi-Mount Holster collection. Courtesy MindShift Gear.
​I can’t remember ever using a camera holster. Fact of the matter is, I find them too limiting. More to the point, I’m a photo backpack guy.

Still, I was intrigued by the moniker Multi-Mount, so I opted to test out this new bag from MindShift Gear, one of my two favorite camera bag companies (along with Think Tank Photo).

I chose to review the largest holster in this new lineup, the Multi-Mount Holster 50. And when the bag arrived and I initially holstered my Nikon D610, my first thought was: big mistake. What was I thinking? This bag is too roomy for a camera without a pro-grip. I should have ordered this bag one or two sizes smaller.

So I let it sit around, and sit, and sit.

Until one day, when I was retrofitting a backpack to give to a friend.

​Unlike some reviewers, I recycle my older camera bags. I even ask that the bag recipients make a small charitable contribution in place of paying me for the bag.

Anyway, I came upon a padded divider that I’d stored. That’s another thing I do. Some packs—not any from MindShift or Think Tank, I might add—are just not worth giving to anyone, so I gut them and keep the dividers for later use, relegating these bags to other purposes, or just leaving them in the laundry room for any takers.

​Retrofitted to Suit My Needs
So, here was this wedge-shaped divider that turned out to be a perfect fit for the Multi-Mount 50. Well, almost perfect. To make this an even better fit, I added a thick pad covered in Velcro-friendly material to the bottom of the holster. Which now meant I could secure the divider on three sides using its hook-and-loop tabs. (And, yes, that pad came from yet another old pack.)
 
I wasn’t done. The holster included two narrow, thinly padded dividers. I don’t even recall where they were placed initially, but the first thing I did was to pull them out. It turned out that the wedge-shaped divider fell a bit short, leaving the top of the camera with the pentaprism housing exposed to bumps from anything sitting in the newly partitioned adjoining section. So I simply used these spare dividers to add to the height of the barrier. The arrangement was flexible enough to accommodate the top of the camera while isolating the two sections.
 
Granted, I probably could have used the two spare dividers alone, without adding anything, but the divider that I did add was thicker and of a heavier density and I felt it would do a better job of separating one section from the other.
 
Now I had room for my Nikon SB-700 flash in the ancillary section, with the D610 and attached Tamron 70-300mm zoom (or Tamron 24-70mm f/2.8 zoom) in the main, larger section. Could I do even better? (Note: the manufacturer recommends using the outside pocket for the flash, but I prefer keeping my flash where it would be better protected while on the move, then possibly sticking it in a photo vest pocket once I arrive at my destination.)
PictureMulti-Mount Holster 50 customized to hold a DSLR with attached lens, a second lens, flash, rain cover, and filter, as well as additional items in the outside pocket. ©Jack Neubart. All rights reserved.
​Room for More
One day I’d decided to do some macro shooting, replacing the zoom with my Tamron 90mm f/2.8 macro. That meant I’d also need my Metz ring flash. Hmm, could I also make room for the SB-700 inside the bag?
 
Why bother with the SB-700? I’ve often used a shoe-mount in place of the macro flash. The trick is to use the flash in bounce mode with the dome diffuser (diffusion dome) attached. That produces a soft, feathered light that doesn’t overwhelm the subject or create heavy, disturbing shadows behind it.
 
Anyway, that step was simple enough. I added a layer of protection (another padded divider from the storage bin) over the ring flash and lay the shoe-mount on top.
 
Next I wondered if I could make room for a second lens. Okay, something would have to give. I removed the ring flash. After all, the shoe-mount had greater utility. The Tamron macro was still on the camera, but I also wanted to take my Nikon 60mm macro, and as luck would have it, this lens was compact enough to fit in place of the ring flash, with the shoe-mount again riding on top.
 
And There Was Room for Even More
There is a zippered inside pocket—mesh so you can see what’s inside. I stuck the rain cover and a filter (inside its case) in there.
 
I wasn’t done. I had an outside front pocket waiting to be filled. This space was relegated to anything that wasn’t easily damaged, which included batteries for the camera and flash, a white balance target, and Rocket blower.
 
I was a happy camper.

​In Use
First, you’re probably asking, how easy was it to get at the camera, now that I’d crowded it in with all the extras? Very easy indeed.
 
I should point out that I’d attached a SpiderPro Hand Strap to the camera, with a BlackRapid Tripod Plate 70 at the bottom, which now lets me readily use a tripod when needed.
 
While the bag would have accommodated a neck strap on the camera, a sling that attaches to the tripod socket would have been a bit much for this configuration. I would have had to make room, at the expense of the second section.
 
The nice thing about this Spider wrist strap is that I’ve gotten so used to it that I no longer feel a need to hang the camera around my neck or deal with a long strap getting in my way.
 
Wonder how I manage to hold onto the camera with that wrist strap for long periods without a neck strap or sling? Intermittently I rest the camera in my free hand, relax my grip for a moment or two, and flex my fingers. Simple, really.
 
The holster comes with a waist belt. That made a big difference, securing the bag in place so it wouldn’t swing around as I bent over to shoot low when focusing on macro subjects. That meant that I wouldn’t constantly have to divert attention away from the subject and toward the bag in an effort to reposition the holster behind my back, where I generally like to keep it, rather than at my side. (Okay, it did slide around a little, since I don’t like to cinch the waist belt too tight, but it wasn’t enough to prove an annoyance as I was shooting.)
 
The waist belt also takes some of the weight off your shoulder. However, it didn’t go far enough. Because I’d weighed the bag down by filling it to capacity, I found myself having to swap out the shoulder strap for one with a more substantial all-rubber shoulder pad, which also did a better job of gripping my shoulder. (Again, another remnant from a bag relegated to the throw-away pile.)
 
That said, the shoulder pad on the shoulder strap that came with the bag is pliable enough so that it won’t dig into your neck when you wear it sling-style, if that’ how you prefer to wear a shoulder bag. The strap would also work well if you opted to wear the bag as a chest pack, with the strap draped around your neck. This holster bulked out too much for me to comfortably wear it in this fashion. That’s something I might have done with one of the smaller versions.
 
I didn’t even try the other carrying modes. Again, if this were one of the smaller holsters, I would have entertained the notion of attaching it to my backpack. The bag also comes with a pair of tether straps that let you secure the holster to the back of the backpack; in front, as a chest pack but this time in tandem with the backpack; and as a waist pack, attached to the waist belt of the backpack, albeit at the front, lower down than you’d normally wear a chest pack. By letting the Multi-Mount ride tandem with a backpack, you can keep the camera in the holster, at your beck and call, while the rest of your gear rides comfortably on your back.
 
What can I say? The Multi-Mount Holster gives you the best of all worlds, keeping gear safe and ready for use the moment inspiration strikes. I didn’t think I’d like it, but I do. I use it regularly. And now I’m glad I’ve got the Multi-Mount Holster 50, the biggest holster in the lineup, since it lets me carry enough gear to tackle whatever I expect to encounter during the day, or night.

Capsule Comments
Uncompromising quality and craftsmanship; lightweight; highly durable; multi-use: carry it alone or attached to any backpack; the largest bag in the lineup, the Multi-Mount Holster 50, carries enough gear to cover a wide range of situations.
 
Conclusions
I managed to pack a Nikon D610 with attached lens, a Nikon SB-700, and either a ring flash or extra lens in this bag after I retrofitted it to my needs. As is, it will easily fit a pro camera with a pro-grip and lens attached, and some extras.
 
This Multi-Mount Holster has become a replacement for my UltraLight Dual when I want to be really light on my feet. I did swap out the shoulder strap for one with a more robust shoulder pad, and, once I did that, I found myself wearing this holster for hours on end. The included waist belt was especially welcome, making the bag so much more comfortable and secure, no matter how much I moved around. You might want to consider the Multi-Mount 30 or 20 (one or two sizes smaller) for a DSLR without a pro-grip, for a snug fit without reconfiguring the bad as I did.
 
In the final analysis, from my experience, the Multi-Mount Holster is a better, more practical choice than a shoulder bag. And it’s a compact alternative to my photo backpacks.
 
On a long hike, I’d definitely consider one of the smaller Multi-Mounts attached to my backpack. No matter how thoughtfully designed the pack, nothing beats having a camera immediately at hand in one of these holsters.

Who Should Use This?
Travel photographers who like to travel light, hikers, nature enthusiasts, mountain climbers, rock climbers.
Picture
Multi-Mount Holster climbing to new heights. Courtesy MindShift Gear.


FEATURES AND BENEFITS (Mfr. specifications)
  • Designed for today’s DSLRs with attached quick release or L-bracket
  • Integrated multi-mount adjustable strap system tucks away into three dedicated pockets
  • Weight bearing shoulder strap features stretch-free neoprene comfort, slip-resistant shoulder pad, lightweight clips, and two-sided length adjustment including one ladderlock
  • Front harness weight-bearing pack mount straps feature quick-release SR buckles for instant removal and pivoting lightweight clips that attach to any pack’s shoulder harness with daisy chain webbing
  • Lightweight and compact stabilizer waist belt is designed to easily pivot the shoulder bag configuration around over the webbing
  • Stabilizer straps, stored in tuck-away pockets, quickly wrap around any backpack shoulder strap and create triangulated stabilization from low and high points on the front end of the bag
  • New YKK zippers are coated with an anti-corrosion substrate, providing enamel-finish durability. These zippers are less prone to freezing and much lighter than standard slides. They also pass YKK’s industry-renowned production fastening standard with a static pull test at three angles result in smoother zipping in all conditions.
  • Exterior shell is constructed with 420D nylon with Durable Water Resistance finish for long lasting durability and strength
  • Front expandable pocket includes organizer pocket, two separate loops for memory card holder and keys, and double sliders
  • Domed top creates room for attached camera strap storage
  • Comfortable air mesh back panel includes stabilizer waist belt pass-through
  • Internal zippered lid pocket for added protection from the elements
  • Removable LCD screen protector and adjustable divider(s) for different lens configurations
  • Main compartment security loop secures camera to lanyard in exposed environments
  • Top grab handle
  • Ergonomic zipper pulls are easily gripped with gloves
  • Shoulder strap loops double as clip-in point for water bottles, etc.

​MATERIALS (Mfr. specifications)
Exterior: For superior water resistance, all exterior fabric has a durable water-repellant coating, plus the underside of the fabric has a polyurethane coating. The holsters also feature high-quality YKK zippers, 420D high-density nylon, 420D velocity nylon, 320G, 350G airmesh, nylon webbing, 3-ply bonded nylon thread.
Interior: 200D poly, velex, high-density closed-cell foam, belly-o mesh, 3-ply bonded nylon thread.

​
Where can I get more info?
MindShift Multi-Mount Holster collection

Manufacturer (ordering info):
MindShift Gear
 
How much is it?
$119.99/Multi-Mount Holster 50 (product reviewed)
GEAR CAPACITY (Mfr. specifications)
Multi-Mount Holster 50
  • Holds one gripped Pro DSLR (Nikon D3/D4 series or Canon 1D/1Ds/1DX series) and one standard zoom lens
  • Holds one standard DSLR with L-bracket (Nikon D800/D700) and one standard zoom lens
  • 24-70mm f/2.8 with hood extended (Canon or Nikon); 70-200mm f/2.8 with hood reversed (Canon or Nikon); 300mm f/4 with hood reversed (Canon or Nikon); 80-400mm f/4 AF-S/G with hood reversed (Nikon)
  • Front pocket holds SB-910 (Nikon Speedlight); 600 RT (Canon Speedlite)
 
Multi-Mount Holster 30
  • Holds one standard-size DSLR (5DM3 or D810) and one standard zoom lens
  • Holds one gripped DSLR (1Dx or D4s) and one standard zoom lens
  • 24-70mm f/2.8 with hood extended (Canon or Nikon); 70-200mm f/2.8 with hood reversed (Canon or Nikon); 300mm f/4 with hood reversed (Canon or Nikon); 80-400mm f/4 AF-S/G with hood reversed (Nikon)
  • Front pocket holds SB-910 (Nikon Speedlight); 600 RT (Canon Speedlite)
 
Multi-Mount Holster 20
  • Holds one standard-size DSLR (5DM3 or D810) and one standard zoom lens or two primes
  • Holds one large (un-gripped) Mirrorless body and one standard zoom lens or two primes
  • 16-35mm f/2.8 with hood extended (Canon); 16-35mm f/4 VR with hood extended (Nikon); 24-70mm f/2.8 with hood reversed (Canon or Nikon); 17-55mm f/2.8 with hood reversed (Canon or Nikon)
 
Multi-Mount Holster 10
  • Holds one large (un-gripped) Mirrorless body and one standard zoom lens or prime
  • Holds one compact DSLR (Rebel, 3300 or 5300 series) and one lens
  • Compatible Lenses:  Prime lens; Kit Lens; 16-85mm (Canon or Nikon) with hood reversed; 16-35mm f/2.8 (Sony)

​MANUFACTURER SPECIFICATIONS
 
Multi-Mount Holster 50 (tested)
External Dimensions: 13.25” H x 8.5” W x 8.75” D
Camera Compartment: 11.25” H x 7.25” W x 6.5” D
Weight: 14.875 oz.  (Weight w/ all straps and rain cover: 1 lb. 7.625 oz.)
 
Multi-Mount Holster 30
External Dimensions: 13.25” H x 8.5” W x 6.5” D
Camera Compartment: 11.25” H x 7.25” W x 4.5” D
Weight: 12.875 oz.  (Weight w/ all straps and rain cover: 1 lb. 5.25 oz.)
 
Multi-Mount Holster 20
External Dimensions: 9.5” H x 8.25” W x 6.5” D
Camera Compartment: 7.5” H x 7.25” W x 4.5” D
Weight: 11.625 oz.  (Weight w/ all straps and rain cover:  1 lb. 3.5 oz.)
 
Multi-Mount Holster 10
External Dimensions: 8.5” H x 7.25” W x 6.25” D
Camera Compartment: 6.75” H x 6” W x 3.75” D
Weight:  10 oz.  (Weight w/ all straps and rain cover:  1 lb. 2.125 oz.)


Picture
MindShift Gear Card-Again memory card wallets. Courtesy MindShift Gear.
A NEAT ACCESSORY
Keep memory cards at the ready with MindShift Gear’s Card-Again memory card wallets. The CF version holds 4 cards; the SD version holds 6. If you get the CF version, as I did, you can store 2 SD cards in each slot.

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Field Report: MindShift Gear’s UltraLight Dual 25L Photo Backpack – Light in Weight, Heavy in Functionality

2/1/2016

2 Comments

 
PictureMindShift Gear's UltraLight Dual series: 36L (far left), 25L (middle), 16L. Courtesy MindShift Gear.
​I've had a love affair with MindShift Gear photo backpacks from the first. Over time, with the introduction of newer packs, I’ve had to displace older ones – not because I disliked those older packs but because the newer packs more closely addressed my needs and style of shooting. Not to mention, I just didn’t have the space for all of them.
 
The Rotation180 Panorama pushed aside the Pro size pack, but was in turn replaced by the Horizon because this pack was of the right size to hold the camera/lens combos I often use stored ready for fast retrieval in that built-in rotating waist pack.
 
Then along came the FirstLight 20L, which I really liked, but it did not meet my needs for a pack I could use in the snow or in muddy conditions without laying the pack on the ground. So the Horizon stood its ground, even though I found it (and the Panorama) a bit on the heavy side.
 
More recently, MindShift Gear introduced the BackLight 26L, which lets you work out of the bag while still wearing it – hence a workaround when negotiating snowy or muddy terrain. But that pack wasn’t enough to push the Panorama and FirstLight out of contention. I still wanted a pack that would only carry a limited amount of gear while I was running around Chicago yet would also let me carry some extras - more than would fit in an outside pocket, as spacious as the one on the BackLight is.

Specifically, I often challenge myself to make the most of a one-camera-one-lens combo, which usually means my Nikon D610 with attached Tamron 15-30mm f/2.8 primarily for landscapes and architecture, Tamron 24-70mm f/2.8 for landscapes and street shooting, or Tamron 70-300mm for wildlife, or sometimes the Tamron 90mm f/2.8 macro for the obvious, but also for wildlife and scenic views with a different perspective.
 
Enter the UltraLight Dual 25L. Would I now being saying goodbye to my Horizon and FirstLight packs as well?

Light Weight But Not a Lightweight
The UltraLight Dual is not MindShift Gear’s first dual-tier system, since technically the Rotation180 series would also fall into that category. Then again, the Dual is not your typical two-tier pack either.

Two-level packs traditionally have separate top and bottom compartments – the bottom compartment thoroughly padded to accommodate a variety of camera gear, including one camera with attached lens; the top compartment unpadded for personal items (lunch, books, jacket, etc.), as is true here. Often, and applicable in this pack, the partition separating the two sections opens to let you extend one compartment into the other, for whatever reason (converting the entire pack to a daypack, for example).

Traditional two-tier packs feature either a clamshell camera section (opens like a clamshell) or a camera section that opens from the front. I used to like either design until I realized that opening a clamshell can become rather inconvenient if it’s top-heavy. And when the camera section opens from the front, the view or access inside was often obstructed in some way. And both designs required you to put the pack down.
 
MindShift’s UltraLight Dual builds upon a combination of two concepts: the dual-tier combined with a side-access panel. The side-access panel means you don’t have to put the bag down to get at your camera. Instead you sling the bag off the left shoulder, lift the bottom up so the bag is level, and reach over with your right hand, unzip the panel, and grab the camera. And to make things even sweeter, that camera compartment is actually a removable bag that comes with its own shoulder strap. You can even loop a belt through the back so it doesn’t shift as you’re moving about. The internal bag has its own zippered lid as added security (I usually leave this zipped only partially for faster access to the camera, unless negotiating rough terrain). If you keep the removable bag inside the pack, which makes more sense to me, rather than toting it on your shoulder, make sure to keep the outer panel zipped. 
 
How I Use the UltraLight Dual 25L
First, I begin with a lens attached to my D610. That really doesn’t leave room for an extra lens or flash, so I do the next best thing. The Nikon SB-700 came with a nice, semi-rigid, padded pouch, which I now use so I can store the flash in the upper compartment. When I get where I’m going, I can transfer the flash to a pocket in my photo vest.
 
Now, with regard to extra lenses. That’s where the MindShift Switch Case comes in handy. I added some extra padding on the bottom of the Switch Case. This also goes into the top compartment. I can transfer this pouch to the outside of the backpack when needed. And if I need more lenses, I’ll find a workaround. For now, this is fine. As I said, I don’t usually run around with a slew of lenses. If I’m traveling, then I’d likely use one of my other backpacks. Which pack? Depends on where I’m going (Think Tank's StreetWalker is often my go-to pack for travel). Then again, I may just decide to take this one. You have to remain flexible, and owning more than one photo backpack allows me to do just that.
 
Features (my comments in parentheses)
  • Dedicated compartment for laptop, tablet or hydration reservoir. Fits 2.5L hydration or 15” laptop.
  • Large capacity for personal gear: extra layers, a light jacket, food, etc. (ya gotta love this – don’t forget maps, guide books, instruction manuals for gear or functions you don’t use often).
  • Removable camera compartment converts to a chest pack with the optional Tripod Suspension Kit (I prefer keeping this inside the pack, but don't forget that it can also be worn as a shoulder bag with the included shoulder strap).
  • Integrated tripod/monopod mounting system on front (since this pack doesn’t open from the front, no fear of the pod getting in the way).
  • Trap door platform allows you to use the entire bag for personal gear (in other words, you have two packs in one - daypack or photo backpack, although I'm keeping this as a photo backpack).
  • Seam-sealed rain cover included (nice touch).
  • High quality YKK RC Fuse zippers, 420D high-density nylon reinforced stress points for long lasting durability and strength (MindShift build quality is second to none and better than most).
  • Highly breathable three-layer shoulder straps with daisy chain for additional gear (they’re comfy).
  • Internal compression strap and drawstring collar maximize capacity and minimize bulk.
  • Stretch side pocket (fits a standard-size water bottle).
  • Internal zippered mesh pocket for small items.
  • Zippered lid pocket and zippered waist belt pocket for quick access to small items (I would also have liked a pleated, outside front pocket).
  • Accessory loop for mountain axe or hiking poles mounting.
  • Lid closure doubles as a lash point for a large jacket or other bulky items (adds to capacity of pack).
  • Ergonomic zipper pulls are easily gripped with gloves or chilled fingers.
  • Adjustable dividers for different camera gear configurations (doesn’t apply to the way I carry my gear, since I just carry the camera with sizable lens attached – a configuration that completely fills this compartment; I can comfortably fit a Nikon D610 with attached Tamron 15-30mm f/2.8 or Tamron 70-300mm).
  • Adjustable sternum strap.
  • Camera compartment lid tucks into side opening lid for quick access.
  • Nylex LCD protector provides a place for your camera strap while covering your LCD (I even managed to squeeze a BlackRapid sling strap in here, with a hand strap attached to the camera as well; the camera's hot shoe may catch on this lid where it attaches to the bag, but you can simply nudge the obstruction out of the way).
  • Compatible with the Filter Nest/Hive and Switch Case, Tripod Suspension Kit and Panorama/Horizon photo insert (snug fit with photo insert).
​Gear Profile (as determined by MindShift Gear)
UltraLight Dual 25L:
  • Holds one standard-size DSLR (5DM3 or D810) and one standard zoom lens or two primes
  • Holds one large (un-gripped) Mirrorless body and two to three lenses
  • Fits up to a 15” laptop or most 2.5 liter hydration reservoirs
  • Fourteen liters of capacity for personal gear
  • Maximum lens size attached to body/DSLR: 24-70mm f/2.8 (in my experience, a 15-30mm f/2.8 or a 70-300mm – both Tamron - attached to a Nikon D610)
  • Maximum lens size attached to body/Mirrorless: 70-200mm f/2.8 equivalents

​MATERIALS
Exterior: For superior water resistance, all exterior fabric has a durable water-repellant coating, plus the underside of the fabric has a polyurethane coating. It also has high-quality YKK Fuse zippers, 100D nylon shadow rip-stop, 420D high-density nylon, 210D velocity nylon, 320G UltraStretch mesh, 350G airmesh, nylon webbing, 3-ply bonded nylon thread.
 
Interior: 200D poly, velex, high-density closed-cell foam, belly-o mesh, 3-ply bonded nylon thread.
 
PRODUCT DIMENSIONS, VOLUME & WEIGHT
UltraLight Dual 25L
Exterior Dimensions: 10.2” W x 19.5” H x 6.7” D (26 x 49.5 x 17 cm)
Camera Compartment: 9.1” W x 7.5” H x 5.1” D (23 cm x 19 cm x 13 cm)
Laptop/hydration compartment: 10.2” W x 15.7” H (26 x 40 cm)
Weight: 2.8 lbs. (1.3kg)
Volume: 25 Liters
 
Where can I get more info?
MindShift Gear
 
Manufacturer:
MindShift Gear
 
How much is it?
Direct: $169.99 l ($169.99 at B&H). 
Who Should Use This?
Travel photographers who like to travel light, hikers, nature enthusiasts, street shooters.
 
Capsule Comments:
Superbly designed, practical and lightweight, highly durable photo backpack.
 
Conclusions:
You won’t pack the kitchen sink into this photo backpack, but, then again, it wasn’t meant for that. Photo gear mainly goes into the bottom section (which, on the two larger sizes, the 25L included, consists of a padded, removable shoulder bag), while personal items fit in the spacious top section. More than that, the pack offers quick side-panel access to photo gear, which for me is essentially a full-frame DSLR with attached f/2.8 zoom or longer lens (up to 70-300). There’s plenty of room in the top section for my flash in its padded case and a MindShift Switch Case with one or two extra lenses (or one lens plus one flash, if I want to condense things even further). Not surprisingly, MindShift’s UltraLight Dual 25L rides comfortably on my back. By the way, I chose the black (over the blue) version – the color scheme just seemed to have a classier feel to it.
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Field Review – MindShift Gear’s BackLight 26L – A Photo Backpack with a Difference

12/14/2015

3 Comments

 
​I’ve made a few things clear in past reviews of photo backpacks and in magazine features I’ve written on the subject. One is that I favor a backpack over a shoulder bag for most of my photography. Second, I’ll only use a backpack that’s a good fit – feels comfy and rides well on my back, holds the gear I need to carry securely and in an organized fashion, and lets me get at my gear relatively easily and quickly. Third, I prefer a backpack that lets me carry a water bottle and a few extras, such as a light jacket – in other words, has pockets where and in a size I need them.
 
All of which has led me in recent years to MindShift Gear photo backpacks. I’ve become increasingly enamored of these products. And the fact that this company continues to innovate without compromising the integrity or functionality of their bags speaks volumes.
 
However, when MindShift Gear announced the BackLight 26L, my first thought was: I have enough photo backpacks already. I’ll skip this one.
 
Glad I didn’t. But I also had to reconcile where this new photo backpack stood in relation to my other backpacks, especially the FirstLight, which had previously moved to the front of the pack, so to speak.

​Fast forward, from the day it arrived, the BackLight has become my go-to photo backpack – and for good reason. 

The following are some of the images I shot while wearing the BackLight 26L. As you can see, this pack lends itself nicely to a wide range of situations.
Picture
BackLight 26L (green version). Courtesy MindShift Gear.
BackLight 26L: Key Features
These are features outlined by MindShift Gear in a press release (with my comments and observations).
  • Includes tripod/monopod mounting system on front or side. (I love having choices, and these work well.)
  • Padded waist belt for all day comfort on the trail, with webbing rail for attachment of additional MindShift accessories. (I always prefer a padded to an unpadded waist belt when it comes to a pack of this size/carrying capacity or larger.)
  • Quick fit waist belt adjustment for rapid and convenient fitting. (A properly fitting waist belt can make the difference between a comfortable hike and a tortuous journey. This one is on the money. When not needed, the waist belt wraps around the front, a feature MindShift introduced with the FirstLight series. However, this means you can’t access the bag while wearing it, because the waist belt must be cinched. So use this wraparound feature when transporting the bag in a vehicle and restore the waist belt to its intended function once you hit the trails or the streets.)
  • Adjustable neck strap keeps the back panel against your chest, providing unencumbered access to your gear. (This is for when you keep the bag on your person as you access the back panel. I removed this bungee cord – it kept coming undone - although I should perhaps learn to tie a better knot. Besides, I found it just as easy to hold the bag open with one hand. But try the bag with the cord and see for yourself. More on this below.)
  • Integrated insert with customizable dividers allows you to maximize the space for photo gear, personal gear, or a combination of the two. (Nothing beats a well-organized interior. Keep batteries inside in extreme temperatures, since the bag acts as an insulator.)
  • 2 large water bottle pockets with cinch cord fit a 32 oz. Nalgene. (I can appreciate a good-size water bottle pocket such as found here, although I still may attach a separate insulated pouch in hot weather. You can use one of these pockets for a tripod, or alternately carry the tripod over the front of the bag – everything you need for the tripod is built in, although an optional mode of tripod transport is also available.)
  • Side compression straps with locking SR buckles for additional lash points. (These come in handy when securing a tripod to the side of the bag.)
  • Air channel and lumbar support on rear-panel for all-day comfort. (Yup, agree whole-heartedly. Comfy! I should point out that I started working with the bag in warmer weather, so this feature definitely helped.)
  • Ergonomic zipper pulls are easily gripped with gloves or chilled fingers. (I love these zippers!)
  • Highest quality YKK RC Fuse zippers, 420D Velocity and 420D high-density nylon for long lasting durability and strength. (Highest quality materials and workmanship are important to this type of bag, and that’s what you get. The bag is made to last and should endure numerous adventures.)
  • Front stuff pockets for trail essentials: headlamp, gloves, and chargers. (I keep the outside front pockets filled with lightweight stuff, such as a light jacket. I don’t like keeping a laptop or anything heavy in the front pocket – throws the pack off balance.)
  • Top zippered pocket for quick access to essentials. (It’s small, but you can keep a pack of lens tissue or a lens cloth and a small screwdriver kit in there. When the temperatures are moderate, I may keep spare batteries in this pocket.)
  • Seam-sealed rain cover included; folds flat for use as a ground cover. (Haven’t had to use it yet, but glad to have it included. On its own, the bag is water-resistant – just not to a drenching downpour, hence the rain cover.)
BackLight 26L vs. FirstLight 20L
  • Going green. I was getting tired of black and gray backpacks, so I welcomed the green BackLight. I figured this color would blend in fairly well in woodland environments. Yet, at the same time, this pack would be easily spotted by cyclists on bike paths that traversed some of the woodlands I frequent – so far, so good. (In the evening, I attach a strobing LED flashlight to the pack as a precaution).
  • Bigger volume, not overall size, is important. The BackLight 26L adds nearly a full inch to the depth, which means you can store some lenses on end, making room for more gear while letting you more easily get at the lenses you need. With the 20L, that was not the case. (Of course, you could move up to a FirstLight 30L, but for me, that was too spacious).
  • Large water bottle pockets on the BackLight. I had to use an accessory water bottle pouch on the FirstLight 20L.
  • Spacious front pocket on the BackLight. Big enough to carry a light jacket comfortably, in place of a laptop, which I never carry into the field.
  • Less complicated can make a difference. The BackLight is a simpler bag to use overall. Unlike the FirstLight, there’s no torso length adjustment on this pack (yes, this could make a difference to a very tall person). Also unlike the FirstLight, there are no compression straps on the shoulder straps and waist belt of the new BackLight (that should only make a vital difference for a really rugged outdoor excursion – and even then, it’s arguable). MindShift also got rid of the whistle on the chest strap, but I can see the reasoning behind this: Put the bag on the ground and the whistle lands there as well. I leave the rest to your imagination. The airflow back panel is also different on the new pack, but I didn't see any practical difference while wearing either pack.
  • A simpler carry handle. The carry handle, while not a key feature, can make a difference. The BackLight uses a more basic, flexible loop-like carry handle, which I find eminently satisfactory and easy to grab when needed. The FirstLight has a substantially padded handle that adds to the height and makes it feel as if I’m carrying a suitcase – you can’t just quickly slip a couple of fingers into it; you need to grab it.
  • Gear access panel. The gear access panel affects the way you work and how secure you feel. The new BackLight features a rear access panel – away from prying fingers. The FirstLight uses the more conventional front panel. But what MindShift Gear is mostly touting about the BackLight is that you can wear the bag while accessing gear and changing lenses on the fly. I tried it, and my assessment follows below (see In the Field).
​In the Field
I loaded the bag (not fully) with a Nikon D610 and several lenses, including a Tamron 15-30 f/2.8, Tamron 90mm f/2.8 macro, and Tamron 70-300mm, plus Nikon SB-700 flash, and had plenty of room to spare. I could easily have carried a 300mm f/4 attached to my trusty old Canon EOS 5D, together with other Canon lenses instead. There was even a special space for my Giotto’s Rocket Blower and room to store a sling strap. And there was definitely space for a second camera body.
 
For the most part, I didn’t notice I was wearing the bag. However, I did find that the FirstLight 20L did ride a bit better on my back, without me having to readjust the position of the shoulder straps as I was walking about. That said, this was not a concern when shooting while wearing the BackLight 26L, which remained firmly and comfortably on my back. (I should point out that everyone will have a different experience with any backpack, so you’d do well to try it on, preferably filled with gear, and walk around a bit – something more easily done at home, when ordering online.)
 
Now, as to that thing about accessing the interior while wearing the pack. Okay, here’s the unvarnished truth. It’s doable – but mostly if you’re not wearing an open jacket or open photo vest, which tends to get entangled or snarled in the process of shifting the pack around. When I wear a vest as the outer layer, it’s always open. Ditto for a jacket as the outer layer, with an open vest underneath (or the other way around – depends on the situation). Open outer garments just make a mess of things, and I'm not about to zip up and then unzip afterwards, which only wastes time.

But when I did successfully manage to access my gear while wearing the pack, I found it best to position one knee under the pack for added support (set your foot on a step or mound). You can also try leaning the bag against a wall or tree. I didn’t feel entirely comfortable allowing the pack to float tethered to the waist belt, although I’ve done it with a light load.
 
And as I mentioned, I didn’t like using the neck tether. I should add the reason for that is, my hat kept getting in the way. (I keep the neckband in the pack in case I change my mind, or in the event I might need it to tie off something.)
 
I did try attaching a spare, lightweight, clip-on shoulder strap (a camera strap can also be used) to the carry handle as a means of supporting the bag. But again, my hat got in the way, and since this became such a production, hence counterproductive, I gave up on the idea. Besides, it also meant that I ended up with something dangling off the pack when the added strap was not in use. Still, you might try it. Just don’t wear a hat.
 
So, in the end, I found myself using the bag more conventionally. It just meant I had to find a convenient spot to lay the bag down. Which is not as easy as it sounds in many situations. Still, I expect that I'll go back and try using the pack as intended. Whenever I hit a stumbling block, I always try and try again. It's who I am.
Special Usage Note
Make sure to keep the waist belt securely cinched before attempting to rotate the bag around your waist.
 

The waist belt should tightly hug the waist, but not so tight as to hinder the bag’s movement.

On the other hand, if it’s too loose, like loose-fitting trousers, it will start sliding downward as you remove the shoulder straps.

​The process can get a bit tricky, which is why you should practice with a fully loaded pack until you’re confident you’ve got it.

​
​Conclusions
You may be asking, what about the Rotation180 Horizon 34L you gushed about in an earlier review? Clearly, any of the Rotation180 packs will give you fast access to your gear, much more so than the BackLight. However, the Horizon won’t fit long lenses in the rotating section. And it is bigger and bulkier overall. Plus it’s clearly intended for rigorous excursions.
 
The BackLight is tamer, by comparison. It lends itself to a wider variety of environments, from city streets to woodland and is less of a nuisance on a crowded subway.
 
Which brings me back to my earlier comment: The BackLight 26L has become my go-to photo backpack. It carries what I need and in a fashion that is protective, makes my gear readily accessible, and it's smart-looking. I simply and utterly refuse to look at another photo backpack. That is, at least until MindShift Gear comes up with yet another winner.
 
Once you’ve got the hang of using the BackLight 26L, you can be assured of retrieving the camera and grabbing that shot when the opportunity to photograph a 10-point buck presents itself or ducking the camera back in the bag when that buck starts eyeing you suspiciously. There are definitely times when you do not want to put a pack down on the ground and turn your back on an animal just to get inside the bag.
 
So, the next time I find myself ankle-deep in mud or knee-deep in fresh powder, you can bet I’ll figure out a way to work around the hat, vest, and jacket I’m wearing and keep the BackLight 26L on my person as I retrieve the camera, change lenses, or return the camera to the bag. 
Capsule Comments
Sturdy, well crafted, stylish yet practical, does a great job protecting my gear.

Where can I get more info?
MindShift Gear BackLight 26L
 
Manufacturer:
MindShift Gear
 
How much is it?
Direct: $249.99 (same price at B&H, Adorama). 
 
Specifications
Exterior Dimensions: 11.4” W x 20.3” H x 7.9” D (29 x 51.5 x 20 cm)
Interior Camera Compartment: 10.2” W x 19.3” H x 5.9” D (26 x 49 x 15 cm)
Laptop Pocket: 10” W x 15.3” H x 1”D (25.5 x 38.8 x 2.5 cm)
Tablet Pocket: 9.3” W x 10.2” H x 0.6” D (23.5 x 26 x 1.5 cm)
Total Volume: 26L
Weight: 3.9 lb (1.8 kg)

3 Comments

Field Review – Think Tank Photo’s Retrospective Leather 5 Elegantly Compact Shoulder Bag

12/11/2015

0 Comments

 
PictureThat's me wearing the Retrospective Leather 5 while shooting the full moon over the New York skyline from New Jersey. Photo ©Denis Finnin. All rights reserved.
Right off the top let me say that I’m not a shoulder-bag guy. In fact, I loathe shoulder bags. Want to know why? Look at any photographer who walks around stoop-shouldered from bearing the burden of a ton of gear on one shoulder. Even slung over the neck, it’s a wearisome weight to carry around. So why am I writing about Think Tank Photo's Retrospective Leather 5 shoulder bag, you ask?

Well, let me just add this. There is decidedly a place for a shoulder bag - for some people, on certain occasions. If I were a wedding photographer, I wouldn't want to show up at a wedding wearing the backpack I normally use. 
 
But I’m not a wedding photographer. In my role as nature/wildlife photographer and travel/street shooter, I head out these days with one of my MindShift Gear photo backpacks. When I have to travel light, as when I'm flying, I carry gear in my Think Tank Photo StreetWalker pack, because it’s compact yet holds a fair amount of gear - and it will fit under the airline seat in front of me. Provided I’m not carrying my clothes in a second, larger backpack, that is - which would be the case in this instance. Toting two backpacks just didn't make much sense. Which brings me to this compact shoulder bag.

My Camera Bag Solution 
For my recent trip to New York City, I needed a small camera bag, one that would easily fit inside the backpack. I wanted my hands free of any additional luggage and didn't want anything else hanging off my shoulder. What's more, if I'd decided to carry it separately, the bag had to be small enough to easily pass as my “personal” carry-on item when boarding the plane. 

That carry-on backpack, by the way, was originally a photo backpack from which I’d removed the padded insert. And, no, it’s not one from Think Tank Photo or MindShift Gear – I’d never relegate those packs to such lowly a task. I’d stopped using photo backpacks from other manufacturers to carry photo gear because I realized that they were not as comfortable or as practical or as protective of my gear as these packs from MindShift or Think Tank.

I knew of one bag that would fit my needs for this trip. My solution was Think Tank Photo’s Retrospective Leather 5, the smallest size in this series.
 
What I Had in Mind for This Bag
On this New York trip I was planning to carry my Nikon D610 with Tamron 24-70mm f/2.8 VC lens attached. And this bag was the perfect size for that. I wasn’t planning to take extra lenses.

I often set out with just one lens to challenge myself to explore the different perspectives and viewpoints in my compositions this lens would allow. What I especially like about this 24-70mm lens is that it’s image-stabilized. And it’s a great all-purpose lens, especially under dim lighting conditions!
 
What’s more, I don’t like carrying body and lenses detached because that slows down your response time immeasurably. Yes, carrying separate components – body and lenses - would have allowed me to carry an extra lens – but then what happens when you have to put the camera away, especially in a rush? There would be no room, unless you detached the lens. So why start out at a deficit was my argument! Not to mention, you may not be in a dust-free or weather-conducive environment when it comes time to attach or change lenses, or somewhere that you’re comfy letting your guard down while messing with the camera.
 
Oddly enough, I still had room for one more key item: my flash. I was able to comfortably stuff my Nikon SB-700 into the outside front pocket without bulking the bag out much. Yes, there was room for the flash inside the bag, but I found it hindered quick access to the camera, and worse, got in the way when trying to replace the D610 inside the bag. This proved to be the best and most practical carrying solution, giving me easy access to camera and flash.

(I should also note that I wear a photo vest - a great way to carry lots of small stuff, including a pocket camera, while getting around carry-on restrictions, although it does go through the airport security scanner, along with my bags.)
 
Retrospective Leather 5 Key Features
The leather Retrospective is a more elegant version of the all-canvas version released several years back. Not that the original wasn’t stylish in its own right. Still, leather, especially when it’s of good quality, does have a nice ring to it. And it’s considerably more fashionable. The leather series comes in three sizes, whereas the original Retrospectives are available in numerous configurations.
 
Here are the key features, from a Think Tank Photo press release (with my comments/observations added).

  • Hook-and-loop “Sound Silencers” eliminate the noise of front flap hook and loop. (You can take this route and use the clasp, but I found it’s faster and easier to work with the hook-and-loop fasteners, if a bit noisier - but easily overlooked on a noisy New York City street. For quicker access maybe just silence one of the fasteners.)
  • High quality YKK zippers, metal hardware, leather accents, premium build. (The YKK zippers really do make a difference in any bag. There’s plenty of leather, so it’s more than just “accents.” From what I’ve read on the Internet, Dakota leather, which is used here and by BMW, is very durable. But don’t expect that heavy leather smell, which, frankly, I was looking forward to.)
  • Adjustable cushioned nonslip shoulder strap for all day comfort. (Works nicely! That said, I wear the bag sling-fashion, which is doable with a light load. The strap webbing goes all the way around. This level of support is especially important in the largest bag.)
  • Easily accessible front organizer with key tether. (I never use key tethers in a bag, but I can appreciate the organizer pocket. There are also side pockets that hug the bag – perfect for spare batteries, although batteries should be stored inside the bag in freezing cold weather to take advantage of the insulation.)
  • Stiffened, padded removable dividers. (Since I carry the camera with lens attached, I take some of these dividers and form an added cushioning layer at the bottom, as a buffer in case I set the bag down too hard. I do the same with all my backpacks. Essentially, I “float” these dividers so there’s a layer of air underneath, which still leaves plenty of room to position the camera with the grip up for a fast grab. And there's room to stow small items such as filters in this new "compartment.")
  • Inner zippered pocket for important documents. (I keep overlooking this option. There’s also a zippered pocket on the back, against your body. There is also a pair of inner side pockets for batteries in cold weather.)
  • Removable carrying handle for grab and go convenience. (Don’t remove it. When you board the plane, tuck the shoulder strap inside – it’s not detachable. Now carry this more compact bag by the handle and conveniently stow it under the seat in front of you.)
  • Webbing attachment points to accommodate modular pouches or a carabineer. (I attach a water bottle or pouch here on either side.)
  • Seam-sealed rain cover included. (Very, very nice touch!)
 
In the Field
For starters, the bag was a perfect fit under the seat in front of me, even on a relatively small commuter jet, Endeavor Air, to be specific.
 
Because the bag was so small and held a minimum amount of gear, carrying it was not uncomfortable in the least. In fact, I slung the shoulder strap over my neck. I hate it when a shoulder bag keeps sliding off the shoulder. ​I should add that the shoulder pad on this bag is quite nice, with strips on the underside designed for a secure purchase on the shoulder.

​Still, simply carrying the bag on your shoulder invites someone on the street to grab it. Which is also a good reason for using a sling strap on the camera. And, thankfully, there was room enough for that camera sling strap as well inside the bag.

Picture
Retrospective Leather collection. Courtesy Think Tank Photo.
​Concluding Remarks
If you’re into shoulder bags and, like me, don’t want to get weighed down with a big bag, then Think Tank Photo’s Retrospective Leather 5 is the perfect choice.

Of course, if you’re a wedding or portrait shooter, the Retrospective Leather 30, the largest in this new series, would be a logical alternative to a roller case, especially if you constantly need both hands free to shoot while moving about. And it would reflect a certain air of professionalism and sophistication while providing quick access to gear.
 
But, again, I needed a bag that was compact and lightweight and would hold just one DSLR with wide-to-tele zoom attached, and this was a good fit.

​Whether boarding a plane, or walking around the streets of New York or in the subway system, or shooting in the American Museum of Natural History, I always felt assured that I had my camera readily accessible and well protected.
Capsule Evaluation
Very practical, very well constructed - and spiffy.

Where can I get more info?
Think Tank Photo Retrospective Leather 5
 
Manufacturer:
Think Tank Photo
 
How much is it?
Direct: $199.75 (same price at B&H, Adorama).
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